This collection contains most of the papers and workshops presented at the conference, as well as an outline of the Gender (B)ender art and culture program, and focuses on the interconnectedness of feminism, gender theories and transgenderism.
The authors from Germany, Austria and the United States, approach the representation of women and men in music from different areas within musicology and music education and, in so doing, are linked with ideas and previous work of Eva Rieger.