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across worlds and generations
- Categories
- Book/Boek
- Creator
- Margulies, Ivone > (ed.)
- Creator
- Szaniawski, Jeremi > (ed.)
- Contributor
- Redrobe, Karen
- Publish Year
- 2019
- Shelfmark
- WER 54 2019
- Thesaurus
- vrouwenfilms, scenarioschrijvers, regisseurs, feminisme, internationaal, 20e eeuw, 21e eeuw, bundel
- Description
- Collection of essays about the diversity of women's filmmaking in the last decades. It shows the importance of women's cinema as a way of women's self-expression. New scholarship on canonical figures connects the contributors work to contemporary feminist thougt and new figures are added to the tradition of women's cinema. The book looks at contemporary and classic films from several emerging makers.
- Categories
- Book/Boek
- Creator
- White, Patricia
- Publish Year
- 2015
- Shelfmark
- WER 54 2015 - B
- Thesaurus
- films, feminisme, regisseurs, vrouwenfilms, 21e eeuw
- Description
- In this book White explores the intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Marleen Gorris, Jasmila Zbanic, Marjane Satrapi and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human right
space, place and genre in contemporary women’s filmmaking
- Categories
- Book/Boek
- Creator
- Thornham, Sue
- Corporate
- British Film Institute
- Publish Year
- 2019
- Shelfmark
- WER 54 2019
- Thesaurus
- vrouwenfilms, films, woonomgeving, openbare ruimte, steden, platteland, participatie, regisseurs, internationaal, 20e eeuw, 21e eeuw, 2000-2009, 2010-2019
- Description
- The author explores issues of space, place, time and gender in feminist filmmaking through an examination of films released from 1936 to 2014 by women filmmakers. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. She analyses how these issues have been dealt with by women filmmakers in wilderness, city, interior and border spaces, and in doubled spaces, or the landscapes of adaptation.
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