This book argues that a new wave of feminist cinema is speaking to a new audience hungry for intersectional accounts of women in the public sphere that are missing in the mainstream. It reveals how innovative production strategies are responding to political situations (resulting in colourful guerrilla aesthetics exemplified in the online videos made by Pussy Riot, but equally found in documentaries by established filmmakers) and tunes in to the transnational, transgenerational conversations that are taking place between filmmakers such as Sally Potter, Claire Denis, Barbara Hammer, Mania Akbari, Haifaa al-Mansour, Emily Jacir, Andrea Arnold and Clio Barnard.