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- Object/Object
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- LHBT, gelijke behandeling, Verenigd Koninkrijk, 2010-2019, 21e eeuw
- Description
- The banners were gifted to the researcher after the event 'Duckie's Tea Party' as part of .the LGBT50 festival marking the 50 year anniversary of the partial .decriminalization of homosexuality in the UK. The banners were part of the decoration .for this particular event and spread across the central square of Hull .entitled Queen Victoria Square.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Levy, Johanna > kunstenaar
- Thesaurus
- technologie, relaties, 2010-2019, 21e eeuw, video
- Description
- The video aims to question that intimate relationships can only be established between humans. It raises questions on privacy issues in connection to big data collection via new media technologies.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Birey, Tegiye > kunstenaar
- Thesaurus
- gelijke behandeling, grafische kunsten, Zweden, 2010-2019, 21e eeuw
- Description
- A collage of newspaper articles reflecting the ways in which gender .equality is discussed within the politics of migration in Sweden - including statements .from politicians, activists etc. Each article has traces from the artist of the engagements withthem (notes on the margins, highlighting etc).. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > fotograaf
- Thesaurus
- poëzie, podiumkunsten, Verenigd Koninkrijk, 2010-2019, 21e eeuw, foto
- Description
- Photograph of an empty Poetry Slam stage. .The presence of the microphone itself is a form of embodied discomfort because it makes a speech act public to an audience. Most people experience discomfort up on a stage.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Fingleton, Lisa > filmmaker
- Creator
- Nyamza, Mamela > kunstenaar
- Creator
- Adebayo, Mojisola > kunstenaar
- Thesaurus
- verkrachtingen, LHBT, theater, Zuid-Afrika, 2010-2019, 21e eeuw, interview (vorm), video
- Description
- Filmmaker Lisa Fingleton talks in this YouTube video to Mamela Nyamza and Mojisola Adebayo, the co-creators of 'I Stand Corrected' about scenes from their performance at Ovalhouse Theatre in London in 2012. The performance itself is a critical engagement with the South African rape cricis.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- gelijke behandeling, beeldende kunsten, 2010-2019, 21e eeuw
- Description
- The object is an image of a circle of chairs made by the artist. It is a circle of chairs which represents in an abstract way the concept of 'equality' that the artist is working with. . .In the words of the artist: 'Equality is not an end state, its more a strategy for .engagement, based in practice. This entails the creation or facilitation of 'moments of equality'. These moments consist of discussion, debate, and knowledge sharing. They facilitate change on a personal and structural level as they coalesce over time. The circle of chairs is a very typical spatial configuration to establish a horizontal exchange in gender training sessions, and to create a space where people feel safe to question themselves. This can be very powerful, and as one of the trainers I interviewed described it, 'it is an honour to have peoples attention'. With each iteration of the 'circle' another node can be added to the network of coalescing equality moments. Other times there is regression or loss, or a time of stagnancy where it seems that nothing is happening. Thus, equality work is necessarily an ongoing project.'. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- McArthur, Park > kunstenaar
- Thesaurus
- handicapisme, gelijke behandeling, beeldende kunsten, Verenigde Staten, 2010-2019, 21e eeuw, foto
- Description
- This is an installation shot of Park McArthur’s show titled 'Ramps' at the ESSEX STREET .gallery in New York City. The various different ramps belong to cultural institutions in .New York City that Park McArthur attends, and were built or purchased primarily so that .Park McArthur could use them.. .Description provided by the artist: 'By taking the ramp as an object of investigation, Park pushes the function of the ramp and thus shows the limitations to how disability is symbolized through the wheelchair user, and accessibility through the ramp.'. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- sportdeelname, gelijke behandeling, grafische kunsten, Verenigd Koninkrijk, 2010-2019, 21e eeuw
- Description
- Collage from newspaper cuttings from 2017 and 2018 about women in sport.. .Description provided by the artist: 'Women are participating in sport. This is a historical conquest as women have not been always allowed to participate in sport. Nevertheless, the increasingly current participation of women has not implied the transformation of sport as a male dominated sphere. Moreover, as a mean to ensure the dominion of men and patriarchal structures in sport, the presence of women, despite the lower in comparison to men - especially at the competitive level-, has been used to proclaim, that equality has already been achieved: in this way, any transformation seems to be needed. In this context, it is important to say not only that sport remains as a male sphere, but also that the presence of women remains precarious and that equality has not been achieved.'. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- sportdeelname, seksueel geweld, gelijke behandeling, Verenigd Koninkrijk, 2010-2019, 21e eeuw
- Description
- The collage contains images of women in sport gathered in English newspapers during the last months of 2017 and the first months of 2018. These images are 'framed' by headlines that make reference to sexual violence against women in the sport context and beyond. At the centre of the collage, there is a headline that says, 'United in a plea for equality and freedom from violence', as a way to depict the demands for equality made by women in sport and which have been taken place in a context of violence.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Description
- Description provided by the artist: 'The pH Gender Scale measures how gendered a social structure or a cultural production is. The more it tends to the acid, the more gendered the sample is. Taking as sample the Ideological State Apparatuses and the Repressive State Apparatus suggested by Althusser, the French Marxist philosopher, as well as his .essay 'Ideology and Ideological State Apparatuses (Notes towards an Investigation)', .(1970), the pH Gender Scale depicts how highly gendered they are. Through this illustration, it is communicated the fallacy of the gender neutrality of the .social reality.'. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
Showing 1-10 of 14 records.