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The female precariat
- Creator
- Burns, Margie
- Hammond, Tamara Ionkova
- Copland, Rachelann Lopp
The female precariat
This thematic volume addresses gender disparities in pay, professional support, and job security in both the higher education work force and the work force in the newer digital economy.- Creator
- Burns, Margie
- Hammond, Tamara Ionkova
- Copland, Rachelann Lopp
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Waarom vrouwen betere seks hebben onder het socialisme
- Creator
- Ghodsee, Kristen R.
- Reyniers, Jan > (vert.)
- Purnelle, Bieke > (voorw.)
Waarom vrouwen betere seks hebben onder het socialisme
Vertaling van: Why women have better sex under socialism : and other arguments for economic independence (2018). Studie naar de sociale gevolgen van de politieke en economische overgang van het staats-socialisme naar het kapitalisme in Oost-Europa na de val van de Berlijnse Muur in 1989. De auteur analyseert verbanden tussen economie en levensgeluk, tussen de werkvloer en seksualiteit. Over moederschap, huishoudelijke en zorgende taken, economische afhankelijkheid, kinderopvang, leiderschap, burgerschap en het belang van de huiselijke en private sfeer. Met vergelijkingen met de situatie in de Verenigde Staten van Amerika.- Creator
- Ghodsee, Kristen R.
- Reyniers, Jan > (vert.)
- Purnelle, Bieke > (voorw.)
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Lesbian art in America
- Creator
- Hammond, Harmony
Lesbian art in America
Studie naar lesbische visuele kunst sinds 1970 in de Verenigde Staten. Naast beschrijvingen van individuele werken worden tentoonstellingen, projecten, conferenties, publikaties besproken. Bestaat uit drie delen: de ontwikkeling van lesbisch feminisme in de jaren zeventig en de reflectie in de kunst van die tijd: reactie op de jaren zeventig in de jaren tachtig evenals de rol van de fotografie en de ontwikkeling van queer kunst: de jaren negentig met o.a. de sociale rol van lesbische kunst, activisme, de mogelijkheden van de kunst van het tentoonstellen.- Creator
- Hammond, Harmony
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The naked result
- Creator
- Berson, Jessica
The naked result
This book addresses the transformation of the exotic dance industry, focusing on the ways that corporate chains have changed both the performance and reception of striptease. The author, drawing on her own experience as an exotic dancer, examines the ways that striptease embodies conflicting notions of race, class, and female sexuality, and how the exotic dance industry deploys these differences to codify and commodify our erotic imagination. With case studies.- Creator
- Berson, Jessica
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This bridge called my back
- Creator
- Moraga, Cherríe > (ed.)
- Anzaldúa, Gloria
This bridge called my back
Originally released in 1981, this publication is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores the complex confluence of identities - race, class, gender, and sexuality - systemic to women of color oppression and liberation. This fourth edition contains a new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. It also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies.- Creator
- Moraga, Cherríe > (ed.)
- Anzaldúa, Gloria
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A sourcebook of feminist theatre and performance
- Creator
- Martin, Carol > (ed.)
A sourcebook of feminist theatre and performance
De meeste artikelen in deze bundel zijn eerder gepubliceerd in The Drama Review : the journal of performance studies. Zij geven een overzicht van de ontwikkeling van het feministische toneel en performance van de afgelopen 20 jaar. De artikelen zijn ingedeeld volgens de categorieën: gechiedenis, theorie, interviews en teksten. De interviews zijn gehouden met: Anna Deaveare Smith, Robbie McCauley, Holly Hughes en Karen Finley.- Creator
- Martin, Carol > (ed.)
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Women who run the show
- Creator
- Gregory, Mollie
Women who run the show
Based on more than 125 interviews with women in virtually every segment of the entertainment business the author describes women producers in Hollywood from the 1970s to 2000. The women include: Gale Anne Hurd, producer of The Terminator and Aliens: Mimi Leder, director of ER and The Peacemaker: Kathleen Nolan, the first female president of the Screen Actors Guild: Jane Alexander, actress, producer and head of the National Endowment for the Arts: Polly Platt, producer of Broadcast News: Martha Coolidge, director of Introducing Dorothy Dandridge and first female president of the Directors Guild: Sherry Lansing, chairman of the Motion Picture Group, Paramount Pictures.- Creator
- Gregory, Mollie
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Reunion
- Creator
- Fishel, Elizabeth
Reunion
Elisabeth Fishel onderzoekt wat er van haar klasgenoten uit 1968 van de Brearly School, een meisjesschool in New York, terecht is gekomen en ontdekt waarom vrouwen uit haar klas het niet zo goed doen als vrouwen die later afstudeerden.- Creator
- Fishel, Elizabeth
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Roads of her own
- Creator
- Ganser, Alexandra
Roads of her own
Reading Jack Kerouac's 'On the road' through Virginia Woolf's 'A room of one's own', the author examines women's road narratives. The study shows how women's literature has inscribed itself into the American discourse of the 'freedom of the road'. Women writers have participated in this myth, yet at the same time also have rejected it as fundamentally based on gendered and racial/ethnic hierarchies and power structures. The book analyzes stories about female runaways, outlaws, adventurers, kidnaps, biker chicks and travelling saleswomen and makes theoretical observations on the debates regarding discourses of spatiality and mobility.- Creator
- Ganser, Alexandra
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Moving politics
- Creator
- Gould, Deborah B.
Moving politics
In the late 1980s, after a decade spent engaged in more routine interest-group politics, thousands of lesbians and gay men responded to the AIDS crisis by taking to the streets. But by the early 1990s, the organization they founded, ACT UP, was no more—even as the AIDS epidemic raged on. Weaving together interviews with activists, extensive research, and reflections on the author’s time as a member of the organization, this book tells the story of the rise and fall of ACT UP, highlighting a key factor in its trajectory: emotion. Overlooked by many scholars of social movements, emotion, Gould argues, plays a fundamental role in political activism. From anger to hope, pride to shame, and solidarity to despair, feelings played a significant part in ACT UP’s style of protest, which included demonstrations, die-ins, and other kinds of street theater.- Creator
- Gould, Deborah B.
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Candid reflections
- Creator
- Cole, Doris
Candid reflections
In this book a collection of letters from female American architects, written between 1972 and 2004, and a collection of photographs of the work of female architects. The architects were asked to provide letters with comments and opinions on their training, professional development, goals, experiences with gender discrimination, and any other topics of personal and professional interest. The letters have been edited to maintain confidentiality and anonymity of the respondents. Photographs of the work of Eleanor Raymond, Lucille Raport, Barbara Durand, Lorraine Rudoff, Lutah Maria Riggs, Anne Tyng, Sarah Harkness, Natalie de Blois, L. Jane Hastings, Emily V. Obst, Beverly Willis, Joan Goody, Doris Cole, Linda Searl, Marlys R. Nepomechie, Laurie Smith, Constance Spencer, and Maria elizabeth Cole.- Creator
- Cole, Doris
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The witch's flight
- Creator
- Keeling, Kara
The witch's flight
Keeling describes how images of black women have affected racism, homophobia and misogyny in the 1970s, '80s, and '90s in the United States. She explores various images, including those from: Haile Gerima’s film Sankof: images of women in the Black Panther Party: Pam Grier's roles in the blaxploitation films of the '70s: the 'bulldagger' and butch: the lipstick lesbians of the L Word: the Black women of F.Gary Gray’s 'Set It Off': Kase Lemmon's 'Eve's Bayou'.- Creator
- Keeling, Kara
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Everybody’s family romance
- Creator
- Harkins, Gillian
Everybody’s family romance
The author posits the late twentieth-century increase in incest literature against political and economic changes of the era. Issues of race, class and gender are emphasized in textual analysis, which is combined with theory –feminist and multidisciplinary– and discussion of the culture of the era. The author is particularly concerned with the effects of neoliberal ideology on patriarchal distributions of power within nationally constructed fantasies of the Freudian concept of the family romance. She discusses different concepts of trauma, the history and cultural variations of the incest taboo and the so called 'memory wars' in the debate on incest.- Creator
- Harkins, Gillian
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Jewish identities in American feminist art
- Creator
- Bloom, Lisa
Jewish identities in American feminist art
This book addresses the veiled role of Jewishness in the understanding of feminist (visual) art in the United States. Lisa Bloom situates the art practices of Jewish feminist artists from the 1970s to the present, from New York City to southern California, in relation to wider cultural and historical issues behind the reticence on the topic of Jewish identities in the visual arts. The artists studied in this book include Eleanor Antin, Judy Chicago, Deborah Kass, Rhonda Lieberman, and Martha Rosler, amongst many others.- Creator
- Bloom, Lisa
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Ms. and the material girls
- Creator
- Gourley, Catherine
Ms. and the material girls
Book about the images and issues that framed perceptions about women during the 1970s through the 1990s. tumultuous decades. The term Ms. was adopted by feminists' women who believed in equal pay for equal work, freedom from sexual harassment, and equal employment opportunities. The Material Girls wanted all this and more: control over their own lives, the kind of control that could only be achieved through money and power.- Creator
- Gourley, Catherine
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Women as foreign policy leaders
- Creator
- Bashevkin, Sylvia
Women as foreign policy leaders
By focusing on women’s presence in senior national security positions in the American political executive, this publication examines four high-profile appointees in the United States since 1980: Jeane Kirkpatrick during the Reagan years, Madeleine Albright in the Clinton era, Condoleezza Rice during the George W. Bush presidencies, and Hillary Rodham Clinton in the first Obama mandate. It documents the difference these four women made in a domain long dominated by men.- Creator
- Bashevkin, Sylvia
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A piece of land
- Creator
- S.O.J. > (coll. and ed.)
A piece of land
In 1978, feminist author Kate Millett founded an art colony for women in Poughkeepsie, United States, that remained in operation until the beginning of the new millennium. The colony was founded out of a belief that a gender-specific community would provide an environment where women artists could work unencumbered by social stigma. Millett Farm, familiarly referred to as 'The Farm', evolved from incorporating elements of the radical feminist, gay liberation, and avant-garde movements, creating an experimental community devoted to both the production and the discussion of art made by women. .In 2010 Millett invited S.O.J. - Sisters of Jam (Moa and Mikaela Krestesen) to stay with her at The Farm. This was the starting point for this cultural portrait of The Farm as an artist colony, a feminist community, a social experiment and an act of opposition. Contains interviews with past residents and photographs of The Farm. Also with journal entries, texts from the dissertation 'A world we have invented here' and a map of The Farm by Anne B. Keating. This book has been made possible by Swedish art funds and musea.- Creator
- S.O.J. > (coll. and ed.)
Showing 1-20 of 23 records.