Feminism and documentary
Aandacht voor de wederzijdse beïnvloeding tussen de documentaire als genre en feministische theorieën. Bevat de volgende bijdragen: Sentimental contracts: dreams and documents of American labor / door Paula Rabinowitz: Flaherty's midwives / door Patricia R. Zimmerman: New subjectivities: documentary and self-representation in the post-verité age / door Michael Renov: Bad girls come and go, but a lying girl can never be fenched in / door Alexandra Juhasz: (Pass through) the mirror moment and 'Don't look back': music and gender in a rockumentary / door Susan Knobloch: Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / door Gloria J. Gibson: Cross-cultural filmmaking, Japanese style / door Ann Kaneko: Return, transference, and the constructedness of experience in German / Turkish documentary film / door Silvia Kratzer-Juilfs: Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / door Anahid Kassabian en David Kazanjian: Fetishes and fossils: notes on documentary and materiality / door Laura U. Marks: On silence and other disruptions / door Deborah Lefkowitz: Fleeing from documentary: autobiographical film / video and the 'ethics of responsibility' / door Michelle Citron: From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / door Chris Holmlund: Women's fragmented consciousness in feminist experimental autobiographical video / door Julia Lesage.
- Creator
- Walker, Janet > (ed.)
- Waldeman, Diane > (ed.)