test10Copyright not evaluatedstring(23) "Copyright not evaluated"
array(4) {
["txt"]=>
string(23) "Copyright not evaluated"
["block_datas"]=>
string(0) ""
["block_thumbnail"]=>
string(0) ""
["block_media"]=>
string(1) "1"
}
Generations and geographies in the visual arts
| Subtitle | feminist readings |
| Publish Place | London |
| Publisher | Routledge |
| Publish Year | 1996 |
| Pages | 300p. |
| ISBN/ISSN | 0415141281 |
| Illustration | foto's |
| Language | English/Engels |
- Shelfmark
- WER 54 1996 - B
| Description | Het werk van hedendaagse kunstenaressen wordt onderzocht aan de hand van thema's als de moeder, het lichaam, het land en het verleden/het geheugen. De volgende bijdragen zijn opgenomen: The politics of theory: generations and geographies in feminist theory and the histories of art histories / door Griselda Pollock: Reading art? / door Mieke Bal: The knotted subject: hysteria, Irma and Cindy Sherman / door Elisabeth Bronfen: Gossip as testimony: a postmodern signature / door Irit Rogoff: The Venus Pudica: uncovering art history's 'hidden agendas' and pernicious pedigrees / door Nanette Salomon: On viewing three paintings by Jenny Saville: rethinking a feminist practice of painting / door Alison Rowley: Orlan artist in the post-human age of mechanical reincarnation: body as ready (to be re-)made / door Michelle Hirschhorn: The anorexic body: contemporary installation art by women artists in Canada / door Judith Mastai: Beach house / door Lubaina Himid: Mother figures: the maternal nude in the work of Käthe Kollwitz and Paula Modersohn-Becker / door Rosemary Betterton: Mother's anger and mother's desire: the work of Re-Hyun Park / door Young-Paik Chun: Cecilia Vicuña's Ouvrage: knot a not, notes as knots / door Cathérine de Zegher: 'Resting' in history: translating the art of Jin-me Yoon / Brenda Lafleur: Embodied geographies: subjectivity and materiality in the work of Ana Mendieta / door Anne Raine: Comfort women: women of conformity: the work of Shimada Yoshiko / door Hagiwara Hiroko: Gleaning in history or coming after/behind the reapers: the feminine, the stranger and the matrix in the work and theory of Bracha Lichtenberg Ettinger / door Griselda Pollock. Ook een bijdrage over troostmeisjes. |
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https://hdl.handle.net/11653/book63847
