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Liminality, hybridity, and American women's literature
| Subtitle | thresholds in women's writing |
| Publish Place | Cham |
| Publisher | Palgrave Macmillan |
| Publish Year | 2018 |
| Pages | XIX, 320p. |
| ISBN/ISSN | 9783319738505 |
| Language | English/Engels |
- Shelfmark
- VS 54 2018 - B
| Description | This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. Table of contents: Early American Women Writers: The Potentiality of the Continual Self-Creating Act / Allukian, Kristin: “Sweet Cement”: Occasioning Bathsheba Bowers’s An Alarm Sounded to Prepare the Inhabitants of the World to Meet the Lord in the Way of His Judgments / Mohlmann, Nicholas K.: Beyond “The Bars”: Lucy Terry Prince and the Margins of the Colonial Landscape / Huse, Ann A.: The Liminal Time of Friendship: Narrative Delay in Hannah Webster Foster’s The Coquette / Ball, Molly: “We Cannot Be Indifferent”: Native Americans and the Students of the Bethlehem Boarding School / Specter, Gregory D.: Resistance and Alternative Histories in Nineteenth-Century Women’s Writing / Legleitner, Rickie-Ann: Changing Is Surviving: Transformation as Resistance in the Ojibwe Stories of Jane Johnston Schoolcraft / Olivier, Sarah: Inhabiting the Liminal: The Architecture of Single Life in Catharine Maria Sedgwick’s Fiction / Wood, Michelle Gaffner: Contesting Sentimentalism: Human–Animal Bonds and Boundaries in Grace Greenwood’s History of My Pets / Rudolph, Kerstin: “The Third Sex”: Nineteenth-Century Women Physicians in Queer, Liminal Literary Spaces / Jessee, Margaret Jay: “Costume de ghost”: Liminality in Grace King’s Balcony Stories / Durrans, Stéphanie: A Fragile Optimism: Writing Liminality and Hybridity in the Twentieth and Twenty-First Centuries / Allison, Leslie: La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe / Ruiz, Sandra: States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s “first writing since” and D. H. Melhem’s “September 11, 2001, World Trade Center, Aftermath” / Spengler, Birgit: Still Moving: Gabrielle Bell’s Graphic Auto-Fiction / Kwa, Shiamin: “A Mash-Up World”: Hybridity and Storytelling in Ruth Ozeki’s A Tale for the Time Being / Hanrahan, Heidi M.: Extreme Sex: Contemporary American Women Writers at the Margins / Capo, Beth Widmaier: Afterword: Beyond Thresholds - Suggestions for Further Research and Teaching Resources / Jacobson, Kristin J. (et al.) |
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https://hdl.handle.net/11653/book114118
