test10Copyright not evaluatedstring(23) "Copyright not evaluated"
array(4) {
["txt"]=>
string(23) "Copyright not evaluated"
["block_datas"]=>
string(0) ""
["block_thumbnail"]=>
string(0) ""
["block_media"]=>
string(1) "1"
}
Divas on screen
| Subtitle | black women in American film |
| Publish Place | Urbana |
| Publisher | University of Illinois Press |
| Publish Year | 2009 |
| Pages | IX, 306p. |
| ISBN/ISSN | 9780252076190 |
| Illustration | ill. |
| Language | English/Engels |
- Shelfmark
- VS 54 2009 - B
| Description | This study places African American women's stardom in historical contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes narratives of success. Finally, Mask analyzes Berry's success by acknowledging the ways in which Dandridge's career made Berry's possible. |
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https://hdl.handle.net/11653/book103301
