test10Copyright not evaluatedstring(23) "Copyright not evaluated"
array(4) {
["txt"]=>
string(23) "Copyright not evaluated"
["block_datas"]=>
string(0) ""
["block_thumbnail"]=>
string(0) ""
["block_media"]=>
string(1) "1"
}
Situating the feminist gaze and spectatorship in postwar cinema
| Publish Place | Newcastle upon Tyne |
| Publisher | Cambridge Scholars Publishing |
| Publish Year | 2010 |
| Pages | LXII, 325p. |
| ISBN/ISSN | 9781443822268 |
| Language | English/Engels |
- Shelfmark
- WER 54 2010 - B
| Description | This collection explores methodological and theoretical questions about feminist film theory, as well offers close analyses of films from a range of countries, genres, and historical moments. This volume treats a range of film texts, from Marguerite Duras to 21st century horror films, from Agnes Varda's installation at the Pantheon to contemporary Russian film, from Tarantino's latest work to Sofia Coppola’s trilogy, from the Western to Steven Spielberg, from Hitchcock, Fellini, and Fassbinder to the subgenre of the career-woman-in-peril thriller. This anthology investigates new areas of research for critical inquiry into film and gender studies as well as feminist, queer, postfeminist and masculinity theories. In conversation with a variety of theorists and filmmakers, these essays consider how to productively explore the intersections of film theory, feminist theory, psychoanalysis, and cultural studies. |
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