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- feminism, feminisme, gender, patriarchaat, patriarchy, acties, actions, action groups, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The image is a poster of Silvia Albert Sopale’s play No Es Pais Para Negras, which was performed in the city of Oviedo last December. The performance was organized by CODOPA, a local NGO.. .'No es país para negras' is Silvia Albert Sopale's first solo performance and probably one of the first plays written and staged by a black woman in Spain. Born in San Sebastián from Nigerian and Ecuatorial Guinean parents, she has participated in other performances such as a version of 'La casa de Bernarda Alba', 'Memories', or 'Pallasas Power', where black female subjectivity has been put at the center. .Determined to open a space for black women artists in Spain and to make female authorship visible, she introduces her play as a 'legacy' and as her way to change the world, to raise awareness and encourage reflection. It is a work that is self-referential while giving voice to African descendants in Spain, a fight against covert racism and paternalistic views on Africa. 'No es país para negras' is, as she states, a play that 'speaks of a place that is inside one's own' as she reveals her personal journey of rejection, acceptance and fight for recognition throughout her performance.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
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- moslima's, moslimfeminisme, Muslimas, Muslim feminism, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The object is a photo of a passerby looking at a mural by the artist Belén Deniz in the stairs of Campillín Park in Oviedo, Spain. The mural was part of the “Urban Art Contest: A World on the Move. Women and Refuge” in Oviedo (Spain) and portrays a muslim woman wearing a veil.. .The photo shows a mural that was painted by Belén Deniz in the stairs of Campillín Park in Oviedo (Spain) titled 'Moving without Borders'. The mural was part of the urban art contest 'A World on the Move. Women and Refuge', which sought to visibilize the reality of migrants and refugees in the city, but especially migrant and/or regugee women. .The mural can be considered an appropriation of urban public space by migrant and/or refugee women, but it is particularly significant because it shows an encounter between a passerby, a white woman who was staring at the mural, and the muslim woman from the painting, as if both women were in a conversation with each other. For a moment, they seem to be negotiating or acknowledging a shared space in the city, but at the same time the handrail reminds us of the presence of borders between them.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
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