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- Results per page : 10
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > kunstenaar
- Thesaurus
- feminisme, gender, poëzie, gelijke behandeling, seksisme
- Description
- Description provided by the artist: .This poem opens the Introduction to 'She Grrrowls. The Anthology' edited by Carmina Masoliver. She is the founder of the feminist spoken word night 'She Grrrowls' in London, UK. The book reunites the poems that have been performed on the stage and it was published in 2017 by Burning Eye Press. .The poem addresses the traditional roles that have been assigned to young boys and girls.The text is intentionally in an editing format as if an unseen patriarchal hand is correcting the text to find the mistakes and discover any inaccuracies related to how young girls and boys should be brought up. Carmina Masoliver is highlighting through language how easy we assign roles and invites the reader to ponder upon the implications these roles have throughout the lifetime of young girls.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminism, feminisme, gender, patriarchaat, patriarchy, acties, actions, action groups, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The image is a poster of Silvia Albert Sopale’s play No Es Pais Para Negras, which was performed in the city of Oviedo last December. The performance was organized by CODOPA, a local NGO.. .'No es país para negras' is Silvia Albert Sopale's first solo performance and probably one of the first plays written and staged by a black woman in Spain. Born in San Sebastián from Nigerian and Ecuatorial Guinean parents, she has participated in other performances such as a version of 'La casa de Bernarda Alba', 'Memories', or 'Pallasas Power', where black female subjectivity has been put at the center. .Determined to open a space for black women artists in Spain and to make female authorship visible, she introduces her play as a 'legacy' and as her way to change the world, to raise awareness and encourage reflection. It is a work that is self-referential while giving voice to African descendants in Spain, a fight against covert racism and paternalistic views on Africa. 'No es país para negras' is, as she states, a play that 'speaks of a place that is inside one's own' as she reveals her personal journey of rejection, acceptance and fight for recognition throughout her performance.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminisme, gelijke behandeling, seksisme, gender
- Description
- Description provided by artist: .The photo was part of a project called 'Step in Inequality', designed by the artists Chandani Karnik in collaboration with Kazunori Shiina. The concept image represents an underground staircase. Women are asked to climb the traditional stairs, which takes longer and more effort, while men can use the escalator.. . .In the labour market, women are not only underpaid as compared to men, but they also have to work harder to make their mark and work their way up the corporate .ladder. The installation aims at visually representing how gender inequality can manifest itself, particularly in the business world by asking people to take two different .sets of stairs in order to show how 'the road to the top is not the same for men and women'. The concept image represents an underground staircase. Women are .asked to climb the traditional stairs, which takes longer and more effort, while men can use the escalator.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- sporten, sportberoepen, feminisme, patriarchaat, gender, equal treatment, gelijke behandeling, sexism, seksisme
- Description
- Description provided by the artist: .The ethnographic context of my research project on sport and gender equality is a boxing academy in a city in Yorkshire, UK. Founded in the 1940s, the place is a nonprofit voluntary amateur boxing club that includes in its activities sex integrated sessions. Furthermore, it has been a platform for women and men at the competitive level. .In order to collect primary data, I have conducted selfimmersion in subcultural setting as a regular participant to the boxing place. By doing this I seek to establish “an experimental and appreciative relationship with the people” about whom I will write about (McCaughey, 1998:279). In accordance to this, Molnar points out that: “For the sake of understanding the field and rich data collection, an ethnographer often has to make some tough, potentially lifealtering choices to be able to carry out participant observation. In doing so, the researcher may have to put his/her body on the line to become an instrument of data collection.” (Molnar, 2015:3). .The objects that I am submitting in this round are contextualized in my first visit to the boxing gym. My intention with them is to represent on one side my embodiment of the field and on the other the existence of gender stereotypes not only in sportive contexts but also in our minds.. .Boxing is an urban phenomenon where violent physical contact is a key element. Historically it has been practiced by men of working classes even though nowadays women are participating in it and gender relations and identities have being challenged. Women, however, are still underrepresented and discriminated whilst men remain as role models and overall sport still produces orthodox masculinities and celebrates sex essentialist discourses. Furthermore, gender stereotypes remain. For these reasons boxing is a great field for analyzing gender in the frame of the research project “Sport as a site for the production of cultures of equality” which is part of the GRACE Work Package “Urban cultures of gender equality”.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Trilló Tommaso > kunstenaar
- Thesaurus
- feminism, feminisme, patriarchy, patriarchaat, gender, equal treatment, gelijke behandeling, seksisme, sexism, equal pay, gelijke beloning
- Description
- Description provided by author: .The object is an A3 format poster developed by te European Women's Lobby for the purpose of dissemination after approving a list of strategic priorities for the time span 20162020. The poster has a mild yellow background and on one side spells the slogan 'Our Future Starts Now' while on the other sides it has a short list of the five key priorities, each one paired with a small symbol. these are, namely, (1) Ensure Institutional mechanisms for women's human rights, (2) end violence against women, (3) promote a feminist economic model based on equality, wellbeing,care, and social justice, (4) challenge and change the culture of sexism and stereotypes, and (5) position women at the heath of decisionmaking.. .The European Women's lobby is arguably one of the most powerful proequality lobby organizations at the European level. the have been advocating for women's rights and gender equality with a focus on Europe since 1987, and in their strategic objectives the ones referring to 'the culture of sexism and stereotypes' and the one referring to 'a feminist economic model' specifically aim at constructing a culture of equality, together with the other objectives, too, of course.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > kunstenaar
- Thesaurus
- poëzie, feminisme, gender, patriarchy, patriarchaat, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The object is a publicity poster for the Poetry Slam Madrid held on the first Wednesday of the month on Augusto Figueroa Street, 3, Intruso Bar. The poster states the rules of the poetry performance competition: 12 poets on stage, each one has three minutes to perform their original poem, the public decides the winner (5 randomly chosen persons from the audience have the role of judges).. . .This poster generally describes the rules of the competition. Even though the structure is symbolically hegemonic, poetry slam ironically subverts this notion: competition in slams is synonymous with collaboration. Held in an open space designed for leisure, poetry performances embrace the participation of anyone willing to express their thoughts and experiences on stage: it created a new generation of poets .and audience members, particularly among those demographics traditionally underrepresented in poetry: youth, women, queer, ethnically diverse poets. Poetry slams create spaces for all categories of people and it brings poetry back to the people.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Verderi, Sara > kunstenaar
- Thesaurus
- refugees, vluchtelingen, feminisme, patriarchaat, patriarchy, gender, acties, actions, kunsten, arts, equal treatment, gelijke behandeling, seksisme, sexism, armoede, poverty
- Description
- Description provided by artist: .Painting by the Syrian caartonist Hossam al-Saadi on the occasion of the military siege of the city of Madayya, 50 Km north-west of Damascus. The siege has been causing severe malnutrition of the city inhabitants and is considered a war crime. Al-Saadi - who recently obtained a refugee status and currently resides in Brussels - has been using his art to convey different moments of Syrians struggle for life and freedom. The image I have chosen to submit depicts one of the recurrent themes of his work - a critique to .the discourse of equality and human rights as it is deployed by the international ommunity. compliance. The cartoonist mocks up his message in the form of the UN flag.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Szutenberg, Zuzanna
- Thesaurus
- sports (eng), sporting occupations, sportberoepen, feminisme, gender, patriarchaat, patriarchy, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provide by artist: .The submitted items for the Gender and Cultures of Equality Museum project is a pair of pink boxing gloves. The struggle of women for equality has often been expressed - verbally as well as through metaphors - through notions of battle or fight against patriarchal oppression.. .The right to vote and to participate in public and political life,. .The access to knowledge, education and professional careers,. .The query for decent salaries and women’s economic independence,. .The control over women’s bodies, their physical integrity and legitimacy of pleasures, . .their reproductive and family life decisions,. .The availability of legal protection and medical care,. .- to name only some of the grand narratives of the Women’s Movements during the past century.. .All these movements were lengthy and painful struggles. Many women risked and many women lost their lives for the cause. Each of these milestones on the way to gender equality has its heroines, its championnesses, however the faces of the masses of anonymous women supporting their leaders remain unacknowledged. Most history books do not mention famous women, protagonists of world changing events, let alone their countless sisters.. .Still today, every day, women fight on their collective or individual gender fronts. Yet, equality is far from being achieved. Still today, every day „often nothing tangible remains of a woman’s day” (Virginia Woolf, 1929).. .Every woman has her own battle for gender equality to fight.. .Every little girl should be given a pair of pink boxing gloves.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Hettinga, Lieke > kunstenaar
- Thesaurus
- feminisme, gender, patriarchaat, patriarchy, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism, queer, arts, kunsten
- Description
- Description provided by the artist: .The short video ‘103 shots’ by artist Heather Cassils is a project that responds to the massacre at the Pulse nightclub in Orlando. It was filmed at the San Fransisco Pride, and features couples and friends hugging and embracing as a balloon between their bodies pops. The eerie sound of popping balloons allude to the shots fired in the Pulse nightclub. 103: for every life lost and person wounded.. .In their self-created safe space, queer people - mostly people of colour - were brutally attacked. The presumption of their safe space made many people are the party mistake the sounds of the gunshots for the beat of the music. The video and the accompanying description highlight the importance of bars and nightlife to queer culture. To me, the embrace around the popping balloon is a sharp image of how facility and intimacy are always wound up with each other, particularly for queer people. Cassils’ video simultaneously commemorates loss and celebrates queer existence, and it carries on a rich aesthetic and political tradition in queer activism.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Birey, Tegiye > kunstenaar
- Thesaurus
- feminisme, gender, gelijke behandeling, acties, patriarchaat, seksisme
- Description
- Description provided by artist: .Before we started our interview, I asked my informant if I can get something for them to drink. I ordered an Americano, so did they. As we were going through my questions and their answers and my occasional interruptions, I notice them breaking the coffee-stirrers in pieces and putting them together in different compositions, their eyes also focused on this. We both were not comfortable, I knew that I was touching upon issues that have caused them great discomfort, and I didn't know if I was equipped enough to be talking about these things with someone that I just met. Also, their stories felt increasingly familiar After a while, I found myself breaking the coffee-stirrers as well, and we joked that we are repurposing an object to get over our discomfort. It felt like I unconsciously adopted a contextual coping mechanism by sharing a moment of discomfort while I was present with the story of another, a story that was too familiar.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
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