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- Results per page : 20
- Categories
- Archive/Archief > Papers/Persoonsarchief
- Thesaurus
- gezinsgeschiedenis, huwelijken, zang, muziek, literatuuronderzoeken, onderwijs, 20e eeuw, persoonsarchief
inleiding gehouden op het tweede congres van de Bond van Socialistische Zang- en Muziekverenigingen op 17 en 18 april 1948 te Amsterdam
- Categories
- Book/Boek
- Creator
- Gelder-Scheffer, Jeanne van
- Publish Year
- 1948
- Shelfmark
- D 148/20 - B
Elisabeth Lutyens, Elizabeth Maconchy and Thea Musgrave
- Categories
- Book/Boek
- Creator
- Roma, Catherine
- Publish Year
- 2006
- Shelfmark
- GR BR 54 2006
- Thesaurus
- componisten, zang, historisch, Verenigd Koninkrijk, 20e eeuw, muziekstuk
- Description
- This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928). Earning solid reputations in Britain through their varying compositional styles, their music has revealed them to be substantial, prolific composers who are representative of major trends in twentieth-century British choral composition. Completed with historical perspective, musical examples, and reproductions of choral texts.
music in the women's institute, 1919-1969
- Categories
- Book/Boek
- Creator
- Gibson, Lorna
- Publish Year
- 2008
- Shelfmark
- GR BR 54 2008
- Thesaurus
- vrouwenkiesrecht, zang, muziek, feminisme, vrouwenorganisaties, 20e eeuw, Verenigd Koninkrijk
- Description
- Music in the Women's Institute has become stereotyped by the ritualistic singing of Jerusalem at monthly meetings. Indeed, Jerusalem has had an important role within the organization, and provides a valuable means within which to assess the organization's relationship with women's suffrage and the importance of rurality in the Women's Institute's identity. However, this book looks beyond Jerusalem by examining the full range of music making within the organization and locates its significance within a wider historical-cultural context. The Institute's promotion of conducting - a regular part of its musical activity since the 1930s - is discussed within the context of embodying overtly feminist sentiments. Lorna Gibson concludes that a redefinition of the term 'feminism' is needed and the concept of 'gendered spheres' of conducting provides a useful means of understanding the Institute's policy.
Showing 1-5 of 5 records.