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women and writing in Mexico since 1980
- Categories
- Book/Boek
- Creator
- Finnegan, Nuala
- Publish Year
- 2007
- Shelfmark
- LAT 54 2007
- Thesaurus
- literatuur, schrijvers, macht, ontwikkeling, feminisme, populaire cultuur, uitgevers, receptie, Mexico, 1980-1989, 1990-1999, 2000-2009
- Description
- The explosion in publishing by women in Mexico since the 1980s is called the 'boom feminino'. Many of the writers take an ambivalent position on processes of modernisation. This book uses a variety of critical approaches within a feminist framework to examine ambivalent positions of the Mexican authors and the persons or characters they describe. It also examines aspects of other players in the literary process like publishing houses, critics and readers. The author offers close readings of work by Silvia Molina, Sara Sefchovich, Susana Págano, Brianda Domecq, Guadelupe Loaeza and Rosamaría Roffiel and considers the reaction to and reception of best-selling author Angeles Mastretta.
volume ten
- Categories
- Book/Boek
- Creator
- Eagleton, Mary > (ed.)
- Creator
- Parker, Emma > (ed.)
- Publish Year
- 2015
- Shelfmark
- GR BR 54 2015 - B
- Thesaurus
- schrijvers, roman, poëzie, toneel, journalistiek, Verenigd Koninkrijk, 1970-1979, 1980-1989, 1990-1999, 20e eeuw, 2000-2009, 2010-2019, bundel
- Description
- This book, volume ten of the Series 'The History of British Women's Writing', maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970. Contents: Fiction: from realism to postmodernism and beyond / Hanson, Clare: Poetry on page and stage / Dowson, Jane: Mrs Worthington’s daughters: drama / Griffin, Gabriele: Media old and new / Chambers, Deborah: Publishing and Prizes / Low, Gail: The grandes dames: writers of longevity / Joannou, Maroula: ‘The Monstrous Regiment’: literature and the women’s liberation movement / Whelehan, Imelda: Writing the F-Word: girl power, the third wave, and postfeminism / Munford, Rebecca: The Gothic: danger, discontent, and desire / Zlosnik, Sue: Changing the story: fairy tale, fantasy, myth / Harries, Elizabeth Wanning: Disputing the past: historical fiction / King, Jeannette: Life Lines: Auto/biography and memoir / Anderson, Linda: Writing the nations: Welsh, Northern Irish, and Scottish Literature / Dix, Hywel: Unsettling the centre: black British fiction / Scafe, Suzanne: Redefining Britishness: British Asian fiction / Ranasinha, Ruvani: Writing Now / Chambers, Claire (et al.):
voices, photographs, bits, pieces from Kate Millett Farm
- Categories
- Book/Boek
- Creator
- S.O.J. > (coll. and ed.)
- Contributor
- Keating, Anne B.
- Publish Year
- 2014
- Shelfmark
- VS 54 2014
- Thesaurus
- woongroepen, kunstenaressen, schrijvers, radicaal feminisme, lesbische bewegingen, culturele stromingen, woonomgeving, Verenigde Staten, 20e eeuw, 1970-1979, 1980-1989, 1990-1999, 21e eeuw, 2000-2009, 2010-2019, fotoboek, interview (vorm), plattegrond
- Description
- In 1978, feminist author Kate Millett founded an art colony for women in Poughkeepsie, United States, that remained in operation until the beginning of the new millennium. The colony was founded out of a belief that a gender-specific community would provide an environment where women artists could work unencumbered by social stigma. Millett Farm, familiarly referred to as 'The Farm', evolved from incorporating elements of the radical feminist, gay liberation, and avant-garde movements, creating an experimental community devoted to both the production and the discussion of art made by women. .In 2010 Millett invited S.O.J. - Sisters of Jam (Moa and Mikaela Krestesen) to stay with her at The Farm. This was the starting point for this cultural portrait of The Farm as an artist colony, a feminist community, a social experiment and an act of opposition. Contains interviews with past residents and photographs of The Farm. Also with journal entries, texts from the dissertation 'A world we have invented here' and a map of The Farm by Anne B. Keating. This book has been made possible by Swedish art funds and musea.
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