The author, a women's history professor, explores the stereotypes that surround women's studies courses. Since 1993 she has traveled the globe with her one-woman play 'Revenge of the Women's Studies Professor', engaging audiences in a conversation about the backlash against feminism and women's studies. This book presents scenes from the original play along with reflections on changing views of gender and sexuality in American society, politics, and popular culture.
This collection of essays, written by musicologists and ethnomusicologists, provide a cross-cultural and cross-historical view of the roles women have played as creators and performers and the representation of women in world, popular, and western art music. Organized in five sections, the readings deal with a broad spectrum of topics and approaches about women, gender, and sexuality in music across Asia, Europe, the Middle East, and the Americas from the twelfth century to the present. Included are themes as class and sexual politics in domestic and professional music making, the sequestration of female musical performance, the lament, gender identity through performance, and women singers as empowered voices of the people.