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criticism, history, and performance 1594-1998
- Categories
- Book/Boek
- Creator
- Cerasano, S.P. > (ed.)
- Creator
- Wynne-Davies, Marion > (ed.)
- Contributor
- Sanders, Julie
- Publish Year
- 1998
- Shelfmark
- GR BR 54 1998 - B
- Thesaurus
- feministische literatuurkritiek, toneel, schrijvers, theater, historisch, renaissance, Verenigd Koninkrijk, 16e eeuw, 17e eeuw, bundel
- Description
- Bundel met kritische essays over toneel geschreven door vrouwen in Engeland in de 16e-17e eeuw.
Women playwrights on the London stage 1660-1720
- Categories
- Book/Boek
- Creator
- Morgan, Fidelis
- Publish Year
- 1981
- Shelfmark
- GR BR 54 1981 - B
- Thesaurus
- toneelschrijvers, theater, Verenigd Koninkrijk, 17e eeuw, 18e eeuw
- Categories
- Book/Boek
- Creator
- Roberts, David
- Publish Year
- 1989
- Shelfmark
- GR BR 1C 1989 - B
- Thesaurus
- vrouwbeelden, toneel, 17e eeuw, Verenigd Koninkrijk
- Categories
- Book/Boek
- Creator
- Chedgzoy, Kate > (ed.)
- Contributor
- Loomba, Ania
- Publish Year
- 2001
- Shelfmark
- B2414 - B
- Thesaurus
- toneel, toneelschrijvers, mannen, vrouwbeelden, Verenigd Koninkrijk, 16e eeuw, 17e eeuw
- Description
- Feministische literatuurkritiek op het werk van Shakespeare.
- Categories
- Book/Boek
- Creator
- Callaghan, Dympna > (ed.)
- Publish Year
- 2016
- Shelfmark
- GR BR 54 2016 - B
- Thesaurus
- toneel, vrouwbeelden, sekserollen, feminisme, Verenigd Koninkrijk, 16e eeuw, 17e eeuw, bundel
- Description
- The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by all-women team of contributors to this companion. It explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism. Contributions: Introduction / Dympna Callaghan: Part I: The history of feminist Shakespeare criticism: 1. The ladies’ Shakespeare / Juliet Fleming: 2. Margaret Cavendish, Shakespeare critic / Katherine M. Romack: 3. Misogyny is everywhere / Phyllis Rackin: Part II Text and Language: 4. Feminist editing and the body of the text / Laurie E. Maguire: 5. “Made to write ‘whore’ upon?”: male and female use of the word “whore” in Shakespeare’s canon / Kay Stanton: 6. “A word, sweet Lucrece”: confession, feminism, and the rape of Lucrece / Margo Hendricks: Part III Social Economies: 7. Gender, class, and the ideology of comic form: much ado about nothing and Twelfth Night / Mihoko Suzuki: 8. Gendered “gifts” in Shakespeare’s Belmont: the economies of exchange in Early Modern England / Jyotsna G. Singh: Part IV Race and Colonialism: 9. The great Indian vanishing trick – colonialism, property, and the family in a Midsummer Night’s Dream / Ania Loomba: 10. Black Ram, white Ewe: Shakespeare, race, and women / Joyce Green MacDonald: 11. Sycorax in Algiers: cultural politics and gynecology in Early Modern England / Rachana Sachdev: 12. Black and White, and Dread All Over: The Shakespeare Theatre’s “Photonegative” Othello and the Body of Desdemona / Denise Albanese: Part V Performing Sexuality: 13. Women and boys playing Shakespeare / Juliet Dusinberre: 14. Mutant scenes and “minor” conflicts in Richard II / Molly Smith: 15. Lovesickness, gender, and subjectivity: Twelfth Night and As You Like It / Carol Thomas Neely: 16. … in the Lesbian Void: Woman–Woman Eroticism in Shakespeare’s Plays / Theodora A. Jankowski: 17. Duncan’s Corpse / Susan Zimmerman: Part VI Religion: 18. Others and Lovers in The Merchant of Venice / M. Lindsay Kaplan: 19. Between Idolatry and Astrology: Modes of Temporal Repetition in Romeo and Juliet / Philippa Berry: Part VII Character, Genre, History: 20. Putting on the Destined Livery: Isabella, Cressida, and our Virgin/Whore Obsession / Anna Kamaralli: 21. The Virginity Dialogue in All’s Well That Ends Well: Feminism, Editing, and Adaptation / Rory Loughnane: 22. Competitive Mourning and Female Agency in Richard III / Mario DiGangi: 23. Bearing Death in The Winter’s Tale / Amy K. Burnette: 24. Monarchs Who Cry: The Gendered Politics of Weeping in the English History Play / Jean E. Howard: 25. Shakespeare’s Women and the Crisis of Beauty / Farah Karim-Cooper: Part VIII Appropriating Women, Appropriating Shakespeare: 26. Women and Land: Henry VIII / Lisa Hopkins: 27. Desdemona: Toni Morrison’s Response to Othello / Ayanna Thompson: 28. Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics / Sujata Iyengar: 29. A Thousand Voices: Performing Ariel / Amanda Eubanks Winkler.
- Categories
- Book/Boek
- Creator
- Rubik, Margarete
- Publish Year
- 1998
- Shelfmark
- GR BR 1C 1998 - B
- Thesaurus
- toneel, schrijvers, theater, man vrouw verschillen, Verenigd Koninkrijk, 16e eeuw, 17e eeuw, 18e eeuw
- Description
- Studie over het werk van Engelse toneelschrijfsters in de periode vanaf de 16e eeuw tot en met de 18e eeuw. Tevens beschrijving van de huidige en moderne uitvoering van de stukken. Nagegaan wordt of er een duidelijke vrouwelijke toon aanwezig is en dus verschillend van die van mannen.
the reconstruction of tragic subjectivity by Renaissance and Early Restoration women dramatists
- Categories
- Book/Boek
- Creator
- Corporaal, Marguérite
- Publish Year
- 2003
- Shelfmark
- digitaal
- Thesaurus
- Renaissance (eng), rolgedrag, toneelschrijvers, historisch, Verenigd Koninkrijk, 16e eeuw, 17e eeuw, proefschrift
- Description
- In the Renaissance and Early Restauration women had to be silent and in tragedies they had a wicked image. In this period, women also started to write plays for their family. Analysed are the tragedies of Mary Sidney, Elizabeth Cary and Margaret Cavendish.
performance and conception
- Categories
- Book/Boek
- Creator
- Mann, David
- Publish Year
- 2008
- Shelfmark
- GR BR 54 2008
- Thesaurus
- toneel, actrices, sekse, stereotypering, travestie, seksisme, seksueel geweld, homoseksualiteit, Verenigd Koninkrijk, 16e eeuw, 17e eeuw
- Description
- In this book Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception of Shakespeare's female roles through an analysis of all 205 extant plays written for the adult theatre. The author shows how Shakespeare exploited the cross-dressed convention as a dramatic medium. He discusses modern critisism of Shakespeare's work, including feminist criticism. The subjects covered in the book are: the age and status of the performers: the erotic ambience (and the charge of homosexuality) in the plays: stage costume and performer ethos: male didacticism and female stereotyping: dramatic empathy and moral ambiguity: sexual violence: and positive representations of young women.
- Categories
- Book/Boek
- Creator
- Hamilton, Sharon
- Publish Year
- 2003
- Shelfmark
- B5309 - B
- Thesaurus
- schrijvers, toneel, vrouwbeelden, vader kindrelatie, dochters, vaders, historisch, Verenigd Koninkrijk, 16e eeuw, 17e eeuw
- Description
- Study about the family relationships that Shakespeare (1564-1616) depicted play after play: that between father and daughter: Juliet and Capulet ('Romeo and Juliet'), Miranda and Prospero ('The tempest'), Hermia ('A Midsummer Night's Dream'), Ophelio and Polonius ('Hamlet'), Rosalind and Duke Senior ('As you like it'), Perdita and Leontes ('The Winter's Tale'), Cordelia, Regan, Goneril, and Lear ('King Lear').
- Categories
- Book/Boek
- Creator
- Loomba, Ania
- Publish Year
- 1992
- Shelfmark
- B1123 - B
- Thesaurus
- toneel, Verenigd Koninkrijk, 17e eeuw
Showing 1-10 of 17 records.