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- Results per page : 50
- Categories
- Object/Object
- Creator
- Atoui, Tarek > kunstenaar
- Creator
- Hettinga, Lieke > kunstenaar
- Thesaurus
- feminisme, gelijke behandeling
- Description
- Description provided by the artist: .'WITHIN / Infinite Ear' is a collaboration between artists and researchers but also local communities, and consists of an exhibition with images and objects, but also performances and a film programme, all investigating the experience of deafness, sound, and hearing. I'll just copy paste something here: .'To what extent do we hear? What can hearing and deaf people learn from each other’s abilities? In what ways can such knowledge improve political representation of the diversity of hearing? How can it influence the way we understand sound performance, its space and instrumentation?. .Since 2013, Tarek Atoui and Council have worked with Deaf and differently-hearing persons to create spaces to explore, understand and represent the diversity of the hearing experience. Combining the scientific history of hearing with the history of sonic arts and Deaf culture, these sites seek to renew the ways we relate to sound perception. .This research has led to WITHIN / Infinite Ear, an exhibition consisting of a number of collections (of instruments, recordings, books, films and artworks) that will grow and shift as the project progresses.'. .What I love about this project is that it brings people together in a space and allows them to interact with things, or experiences things, knowing that they are all .experience it differently. Deaf people and non-deaf people will hear the performance concert together but different, or the exercises will have different experiences for .them. I think examining sound as a material experience has a lot of potential for our interest in equality otherwise and embodied discomfort.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > kunstenaar
- Thesaurus
- feminisme, gender, poëzie, gelijke behandeling, seksisme
- Description
- Description provided by the artist: .This poem opens the Introduction to 'She Grrrowls. The Anthology' edited by Carmina Masoliver. She is the founder of the feminist spoken word night 'She Grrrowls' in London, UK. The book reunites the poems that have been performed on the stage and it was published in 2017 by Burning Eye Press. .The poem addresses the traditional roles that have been assigned to young boys and girls.The text is intentionally in an editing format as if an unseen patriarchal hand is correcting the text to find the mistakes and discover any inaccuracies related to how young girls and boys should be brought up. Carmina Masoliver is highlighting through language how easy we assign roles and invites the reader to ponder upon the implications these roles have throughout the lifetime of young girls.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminism, feminisme, gender, patriarchaat, patriarchy, acties, actions, action groups, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The image is a poster of Silvia Albert Sopale’s play No Es Pais Para Negras, which was performed in the city of Oviedo last December. The performance was organized by CODOPA, a local NGO.. .'No es país para negras' is Silvia Albert Sopale's first solo performance and probably one of the first plays written and staged by a black woman in Spain. Born in San Sebastián from Nigerian and Ecuatorial Guinean parents, she has participated in other performances such as a version of 'La casa de Bernarda Alba', 'Memories', or 'Pallasas Power', where black female subjectivity has been put at the center. .Determined to open a space for black women artists in Spain and to make female authorship visible, she introduces her play as a 'legacy' and as her way to change the world, to raise awareness and encourage reflection. It is a work that is self-referential while giving voice to African descendants in Spain, a fight against covert racism and paternalistic views on Africa. 'No es país para negras' is, as she states, a play that 'speaks of a place that is inside one's own' as she reveals her personal journey of rejection, acceptance and fight for recognition throughout her performance.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminisme, gelijke behandeling, seksisme, gender
- Description
- Description provided by artist: .The photo was part of a project called 'Step in Inequality', designed by the artists Chandani Karnik in collaboration with Kazunori Shiina. The concept image represents an underground staircase. Women are asked to climb the traditional stairs, which takes longer and more effort, while men can use the escalator.. . .In the labour market, women are not only underpaid as compared to men, but they also have to work harder to make their mark and work their way up the corporate .ladder. The installation aims at visually representing how gender inequality can manifest itself, particularly in the business world by asking people to take two different .sets of stairs in order to show how 'the road to the top is not the same for men and women'. The concept image represents an underground staircase. Women are .asked to climb the traditional stairs, which takes longer and more effort, while men can use the escalator.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- homobewegingen, homocultuur, heteroseksisme, gender, feminisme, gelijke behandeling
- Description
- Description provided by artist: .The banners were gifted to the researcher after the event 'Duckie's Tea Party' as part of the LGBT50 festival marking the 50 year anniversary of the partial decriminalization of homosexuality in the UK. The banners were part of the decoration for this particular event and spread across the central square of Hull entitled Queen Victoria Square.. .The banners stand as a reference for the festival which celebrates the LGBT+ community and gender/ sexual equality in the UK. The argumentation of such equality is based on the legal developments in the past 50 years. However, a festival in such manners expressed through these banners immediately raises the question of the lived reality of gender/ sexual minorities. Sexualities, love and idenities are subject to celebration for festivals. However, particularly in the city of Hull, the experience of marginality is still prominent throughout community, as even within the LGBT50 celebrations transphobic, homophobic assults were registered.. .Therefore, the banner in its particular display allows to question the difference between a momentary celebration and visibility of LGBT+ communities and the continuous realities of a supposedly gender/ sexual equality.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Badge/Badge
- Thesaurus
- emancipatie, feminisme, MVM, Nederland, 20e eeuw
- Description
- Rechthoekig grijze naamplaatje voor de MVM dag van Pim van Oostrum. Man Vrouw Maatschappij (MVM) was een feministische vereniging, in 1968 opgericht met als doel de emancipatie van de vrouw te bevorderen.
- Categories
- Object/Object
- Creator
- Birey, Tegiye > kunstenaar
- Thesaurus
- theater, theatre, feminisme, patriarchy, patriarchaat, arts, kunsten, vluchtelingen, refugees, equal treatment, gelijke behandeling
- Description
- Description provided by the artist: .This paper ship comes from the interactive theatre performance 'Dreamlands' of Malmö Communityteater ????? ????? ????? that took place in Malmö on 14th of July. Malmö Communityteater ????? ????? ????? is a theatre group made up of people whose identities are made to fall in so-called categories of citizen, refugee, migrant. The ones who took the stage had used their own experiences to come up with a dreamlike script, which invited the voluntary participation of the audience. I was part of the audience. Before the .performance started (now I think about it, maybe the performance had already started with this), the audience was asked to fill out a form about dreams. Dreams we had as children, dreams we realized, dreams that went wrong, right and to other directions. During the performance, the audience was asked to fold this paper in a specific way with clear directions. We all ended up with a paper ship made out of our dreams. Contrary to the popular belief, it seemed, dreams are not left behind when people risk their lives to .save their lives. They are rearranged in the shape of a ship to prolong living, they are the motor of the ship, they are the life vest and they are the driving force of it all. The ones on the stage moved around in white dresses, slowly danced through the scenes, as the audience was given yet another opportunity to process the visual-event of the refugee taking the ship, once again, but with the new suggestion to see the dream that happened before the ship happened.. .Then there was the question and answer session. The atmosphere was heavy with silence. There were some questions eventually, but you know how memories are. Selective. I remember one person within the audience asking: 'what did the white dress that you were wearing mean?'. The ones on the stage responded by saying that it is open to interpretation, and they chose not to give a definitive answer but rather asked her opinion about the meaning of the white dress. She responded by saying that she didn't .know, but some of them looked uncomfortable wearing a dress. Silence. I wondered, and still wonder, what this question means, and what it does. Feeling the need to make a connection between non-Western (assumed) men wearing a white dress and discomfort. I wonder if it was her own frustration to see them wearing a dress, which does not fit into her accumulated knowledge of what non-Western men can do and be. I wonder if it was the discomfort of her own gaze to see non-Western men in dresses. I wonder if she .indeed felt a discomfort, and fished the dress out as the reason. I wonder even if she was sure of a discomfort caused by wearing the dress, what she thought this question would do. These questions about the question are open-ended but, practically, the question ended the show. For me, this little paper ship is a reminder of this instance. The ways in which the questions we ask about gender are shaped by preconceptions, and can easily be comments in disguise with an excess of a question mark instead of opening further opportunities to share. When asked after being offered a piece of someone's dream, they can do more damage than good, to the extent that they end the show.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > T-shirt/T-shirt
- Description
- Een licht blauw T-shirt met in paars de tekst: 'women's studies in europe Antioch college'. Afgebeeld zijn zes vrouwen met hun armen om elkaar heen, op de rug gezien. Maat XL met wasvoorschift in de hals.
- Categories
- Object/Object > Button/Button
- Thesaurus
- feminisme, vrouwenliteratuur, 20e eeuw, button
- Description
- Rode button met in gele letters de tekst: 'Women's Books for a Feminist Future!'.
- Categories
- Object/Object
- Thesaurus
- sporten, sportberoepen, feminisme, patriarchaat, gender, equal treatment, gelijke behandeling, sexism, seksisme
- Description
- Description provided by the artist: .The ethnographic context of my research project on sport and gender equality is a boxing academy in a city in Yorkshire, UK. Founded in the 1940s, the place is a nonprofit voluntary amateur boxing club that includes in its activities sex integrated sessions. Furthermore, it has been a platform for women and men at the competitive level. .In order to collect primary data, I have conducted selfimmersion in subcultural setting as a regular participant to the boxing place. By doing this I seek to establish “an experimental and appreciative relationship with the people” about whom I will write about (McCaughey, 1998:279). In accordance to this, Molnar points out that: “For the sake of understanding the field and rich data collection, an ethnographer often has to make some tough, potentially lifealtering choices to be able to carry out participant observation. In doing so, the researcher may have to put his/her body on the line to become an instrument of data collection.” (Molnar, 2015:3). .The objects that I am submitting in this round are contextualized in my first visit to the boxing gym. My intention with them is to represent on one side my embodiment of the field and on the other the existence of gender stereotypes not only in sportive contexts but also in our minds.. .Boxing is an urban phenomenon where violent physical contact is a key element. Historically it has been practiced by men of working classes even though nowadays women are participating in it and gender relations and identities have being challenged. Women, however, are still underrepresented and discriminated whilst men remain as role models and overall sport still produces orthodox masculinities and celebrates sex essentialist discourses. Furthermore, gender stereotypes remain. For these reasons boxing is a great field for analyzing gender in the frame of the research project “Sport as a site for the production of cultures of equality” which is part of the GRACE Work Package “Urban cultures of gender equality”.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Trilló Tommaso > kunstenaar
- Thesaurus
- feminism, feminisme, patriarchy, patriarchaat, gender, equal treatment, gelijke behandeling, seksisme, sexism, equal pay, gelijke beloning
- Description
- Description provided by author: .The object is an A3 format poster developed by te European Women's Lobby for the purpose of dissemination after approving a list of strategic priorities for the time span 20162020. The poster has a mild yellow background and on one side spells the slogan 'Our Future Starts Now' while on the other sides it has a short list of the five key priorities, each one paired with a small symbol. these are, namely, (1) Ensure Institutional mechanisms for women's human rights, (2) end violence against women, (3) promote a feminist economic model based on equality, wellbeing,care, and social justice, (4) challenge and change the culture of sexism and stereotypes, and (5) position women at the heath of decisionmaking.. .The European Women's lobby is arguably one of the most powerful proequality lobby organizations at the European level. the have been advocating for women's rights and gender equality with a focus on Europe since 1987, and in their strategic objectives the ones referring to 'the culture of sexism and stereotypes' and the one referring to 'a feminist economic model' specifically aim at constructing a culture of equality, together with the other objectives, too, of course.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminisme, black feminism, gelijke behandeling, gender
- Description
- Description provided by the artist: .It is a necklace with Audre Lorde's portrait. It was given to me by my feminist sisters. To me it symbolizes the potential of sisterhood and the strength of voice, key aspects of the project of equality building.. .This quote is from a speech at the Lesbian and Literature panel of the Modern Language Association’s December 28, 1977 meeting. It has since been published in many of Lorde's books including “The Cancer Journals” and “Sister Outsider.”. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Painting/Schilderij
- Thesaurus
- vrouwengeschiedenis, schrijvers, feminisme, Australië, 20e eeuw
- Description
- Portret voorstellende Germaine Greer. In opdracht van de Universiteit van Amsterdam.
- Categories
- Object/Object > Ring/Ring
- Thesaurus
- feminisme, vrouwentekens, Nederland, 1980-1989, 20e eeuw
- Description
- Een verstelbare zilverkleurige ring met vrouwenteken.
- Categories
- Object/Object
- Creator
- Trilló Tommaso > kunstenaar
- Thesaurus
- feminisme, gender, patriarchaat, acties, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .'Uovo s'ode' is made of the inside shell of a Kinder egg (the plastic one containing the surprise) filled with corn seeds in order for it to make noise when shaken. The shell bears the name of a woman victim of femicide in Italy during 2016 and the date of her death.. .'Uovo s'ode' is the name of an ingenious campaign promoted by a Roman social centre in occasion of the 'Non una di meno' rally to protest against male perpetrated violence on women held in Rome on November 26th, 2016. The campaign exploits the word play created by the similar sound of 'uovo s'ode' [an egg you can hear] and 'uova sode' [boiled eggs]. The object (the innder shell of a kinder egg filled with corn seeds) was used to make noise and accompany chants at the 'Non una di meno' rally in Rome on November 26th.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Levy, Johanna > kunstenaar
- Thesaurus
- menstruatie, gender, feminisme, biotechnologie, seksisme
- Description
- Description provided by the artist: .The object/ image is part of a series of visual collages with the aim to investigate the connections between blood and data flows. It aims to show the materiality of the bodies, machines and flows at work and thus to denude/ uncover/ expose hidden processes.. .Through visibilization, the collage aims to demystify digital technologies and menstrual blood flows. It tries to provide spectators with access to often hidden processes and (cognitive, emotional and physical) spaces.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Typewriter/Schrijfmachine
- Creator
- Hammond > fabrikant
- Description
- Deze Hammond typemachine behoorde toe aan de historica en feministe Johanna Naber (1859-1941). Historici hebben deze schrijfmachine getypeerd als ‘Nabers handlanger in de vrouwenkwestie’. Zij kocht deze Hammond waarschijnlijk in 1904 met het prijsgeld dat zij kreeg voor haar bekroonde werk ’Geschiedenis van Nederland tijdens de inlijving bij Frankrijk’ van het Teyler’s Tweede Genootschap. Naber tikte op deze machine vele artikelen, boeken, convocaties, brochures, schotschriften en protesten. Zij had aanvankelijk haar archief per testament aan het Internationaal Archief voor de Vrouwenbeweging (waarvan zij één van de oprichtsters was in 1935) vermaakt. Maar toen zij hoorde van de sluiting van het IAV en de inbeslagneming van al het materiaal in de zomer van 1940 door de Duitse bezetters veranderde zij haar testament. Dankzij de bemiddeling van Maria Grever werd haar archief in 1994 alsnog aan het toenmalige IIAV (nu Atria) geschonken. Aan de zijkant zitten 2 haakjes om de kap mee te bevestigen. Op de schrijfmachine zit links het logo van de fabriek, rechts het logo van de importeur, J.A. Ruys Handels VG. Rotterdam. .
- Categories
- Object/Object > Sticker/Sticker
- Thesaurus
- lesbische vrouwen, feminisme, politiek, Verenigde Staten, 1970-1979, 20e eeuw
- Description
- Lesbian Nation, een collectie essays door feministe Jill Johnston in 1973, was een manifest voor lesbisch feministisch politiek. De term 'lesbian nation' werd het symbool voor solidariteit voor politieke lesbische vrouwen. 12 verschillende stickers op 1 vel.
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > kunstenaar
- Thesaurus
- feminisme, gender, patriarchaat, acties, gelijke behandeling, seksisme
- Description
- Description provided by the artist: .Alice is a 23-year-old young performer from Manchester, UK. The researcher met her at a poetry slam event at 3MT on Oldham Street. She stepped confidently on the stage and asked the public: 'Do you think we have equality? I tell you: we're not even close!'. Her poetry challenges society's ideals of beauty and she thinks people are scared of what's different and feel uncomfortable when others stray away from the 'norm'. She encourages young black women to embrace the desire of being different from what the patriarchal society expects them to be.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > T-shirt/T-shirt
- Description
- Wit katoenen T-shirt met tekst in het rood: 'Xceptional Xantippe Xciting Feminist and Lesbian bookshop Amsterdam'.
- Categories
- Object/Object > Notebook/Schrijfblok
- Thesaurus
- congressen, feminisme, Nederland, 2000-2009, 21e eeuw
- Description
- 'Samen onderzoeken we kansen en ruimte voor nieuwe beweging. We gaan op zoek naar eigentijdse strategieën voor een sterke maatschappelijke participatie van vrouwen', dit was één van de thema's van de conferentie Vrouwen kleuren de Toekomst op 18 en 19 juni 2004 in de Blooming in Bergen. Veertig vrouwen onderzochten belangrijke maatschappelijke thema's vanuit een actueel feministisch perspectief.
- Categories
- Object/Object > Calendar/Kalender
- Creator
- Lange, Roos de > tekenaar
- Thesaurus
- feminisme, tweede feministische golf, Nederland, 20e eeuw, kalender
- Description
- Verjaardagskalender van de feministiese uitgeverij De Bonte Was. Met zeven tekeningen door Roos de Lange. In een van de tekeningen staan citaten zoals 'Abortus vrij', 'Weg met het geweld', 'Leve de ouwe vrouwen' en 'De vrouw beslist'.
- Categories
- Object/Object > Button/Button
- Thesaurus
- socialistisch feminisme, feminisme, socialisme, Nederland, 1980-1989, 20e eeuw, button
- Description
- Rode button met in witte uitgespaarde letters de tekst: 'Zonder socialisme geen feminisme'. In het midden twee vrouwentekens met een vuist.
- Categories
- Object/Object > Game/Spel
- Thesaurus
- vrouwbeelden, populaire cultuur, macht, schrijvers, films, politici, feminisme, eeuwwisseling, internationaal, 2000-2009, 21e eeuw, spelmateriaal
- Description
- Memory-spel naar aanleiding van 'Fest der 2000 Frauen'. Het spel bestaat uit 33 kaarten met afbeeldingen van beroemde vrouwen, zoals o.a. Virginia Woolf, Bessie Smith, Jeanne d'Arc, Rosa Luxemburg, Ingrid Bergman, Colette en Hildegard von Bingen. De kaarten liggen in een doos. Met boekje dat informatie bevat over de 33 vrouwen. Op de doos de afbeeldingen van Virginia Woolf en Marilyn Monroe.
- Categories
- Object/Object > Pendant/Hanger
- Thesaurus
- vrouweninformatievoorziening, feminisme, vrouwenstudies, België, 1970-1979, 20e eeuw
- Description
- Een zilveren ronde papieren hanger met in zwart de tekst: 'ROSA 1978-1988'. Aan de hanger zit een wit katoenen koord. Er zit een klein stukje roze stof op de hanger geplakt.
- Categories
- Object/Object > Painting/Schilderij
- Creator
- Koedam, Toos > schilder
- Thesaurus
- vrouwengeschiedenis, feminisme, schrijvers, Frankrijk
- Description
- Portret voorstellende Simone de Beauvoir. Met de tekst: 'on ne naît pas femme, on le devient'. Rechtsonder gesigneerd met: 'toos koedam '92'. In opdracht van de Universiteit van Amsterdam.
- Categories
- Object/Object > Pendant/Hanger
- Thesaurus
- vrouweninformatievoorziening, feminisme, vrouwenstudies, België, 1970-1979, 20e eeuw
- Description
- Een gouden ronde papieren hanger met in zwart de tekst : 'ROSA 1978-1988'. Aan de hanger zit een wit katoenen koord. Er zit een klein stukje roze stof op de hanger geplakt.
- Categories
- Object/Object > Button/Button
- Thesaurus
- feminisme, feministische economie, 20e eeuw, button
- Description
- Bruine button met in witte letters de tekst: 'Support your local feminist'.
- Categories
- Object/Object > Match box/Luciferdoos
- Thesaurus
- internationale vrouwendag, feminisme, vrouwentekens, Frankrijk, 20e eeuw
- Description
- Een luciferdoos ter ere van 8 maart, Internationale Vrouwendag, met afgebeeld de Franse feministe Madeleine Vernet (1878-1949). Op de achterzijde de tekst: 'Ministère Des Droits de la Femme' met een vrouwenteken. Ook op de achterzijde in het Frans een uitleg over haar leven.
- Categories
- Object/Object
- Thesaurus
- verkrachtingen, gender, feminisme, patriarchaat, acties, gelijke behandeling, seksisme
- Description
- Description provided by the artist: .Five men, known as 'The Wolf Pack' were accused of raping an 18-girl in Pamplona's San Fermín bull-running festival in 2016. The case became viral after the .Whatsapp messages of the group were shared on social media platforms and the judge of the case deciced to accept as evidence a report from a private detective in .which the girl's social media posts where shared. The posts were intended to show how she was on holidays having fun as evidence of her 'not being traumatized', .while the Whatsapp conversations of the rapists, in which they discussed the details of the the rape, were considered 'irrelevant' for the case. Feminists groups all .over Spain started the campaign 'Sister, I believe you' to support the victim and critisize the judge's handling of the case, which is just a reflection of how other gender .violence and sexual harasssment victims are being treated by the system and the media.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Handkerchief/Zakdoek
- Thesaurus
- kunstenaressen, feminisme, politiek, vrouwenbewegingen, 21e eeuw
- Description
- Roze katoenen zakdoek met borduursel en tekst van de Guerrilla Girls, een groep activistische kunstenaars met gorilla maskers op, die anoniem en op ludieke en provocerende wijze actie voeren tegen genderongelijkheid en corruptie binnen politiek, popcultuur, film en kunst. Tekst: 'Dearest art collector, it has come to our attention that your collection, like most, does not contain enough art by women. We know that you feel terrible about this and will rectify the situation immediately. All our love, Guerrilla Girls'.
- Categories
- Object/Object > Button/Button
- Thesaurus
- vrouwenvredesbewegingen, feminisme, Europa, 20e eeuw, button
- Description
- Ontworpen voor de Werkgroep naar een Feministisch Europa (van het Platform Naar een Ander Europa en de Top van Onderop). T.g.v.de EU-top in Amsterdam in 1997 waar de werkgroep protesteerde tegen groeiende ongelijkheid.
- Categories
- Object/Object > Button/Button
- Thesaurus
- vrouwenorganisaties, feminisme, 20e eeuw, button
- Description
- Een goudkleurige met licht blauwe button met in blauw de tekst: 'St.Joan's Social & Political Alliance'. In het midden staat een gouden Franse lelie.
- Categories
- Object/Object
- Creator
- Pinzari, Raluca > kunstenaar
- Thesaurus
- poëzie, feminisme, gender, patriarchy, patriarchaat, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provided by the artist: .The object is a publicity poster for the Poetry Slam Madrid held on the first Wednesday of the month on Augusto Figueroa Street, 3, Intruso Bar. The poster states the rules of the poetry performance competition: 12 poets on stage, each one has three minutes to perform their original poem, the public decides the winner (5 randomly chosen persons from the audience have the role of judges).. . .This poster generally describes the rules of the competition. Even though the structure is symbolically hegemonic, poetry slam ironically subverts this notion: competition in slams is synonymous with collaboration. Held in an open space designed for leisure, poetry performances embrace the participation of anyone willing to express their thoughts and experiences on stage: it created a new generation of poets .and audience members, particularly among those demographics traditionally underrepresented in poetry: youth, women, queer, ethnically diverse poets. Poetry slams create spaces for all categories of people and it brings poetry back to the people.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Verderi, Sara > kunstenaar
- Thesaurus
- refugees, vluchtelingen, feminisme, patriarchaat, patriarchy, gender, acties, actions, kunsten, arts, equal treatment, gelijke behandeling, seksisme, sexism, armoede, poverty
- Description
- Description provided by artist: .Painting by the Syrian caartonist Hossam al-Saadi on the occasion of the military siege of the city of Madayya, 50 Km north-west of Damascus. The siege has been causing severe malnutrition of the city inhabitants and is considered a war crime. Al-Saadi - who recently obtained a refugee status and currently resides in Brussels - has been using his art to convey different moments of Syrians struggle for life and freedom. The image I have chosen to submit depicts one of the recurrent themes of his work - a critique to .the discourse of equality and human rights as it is deployed by the international ommunity. compliance. The cartoonist mocks up his message in the form of the UN flag.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Levy, Johanna > kunstenaar
- Thesaurus
- menstruatie, technologie, gelijke behandeling, seksisme, feminisme, biotechnologie
- Description
- Description provided by the author: .I am currently analyzing my auto-ethnography, which is an emotional-digital protocol of the past year. The object aims to illustrate the coding process as well as some of the main issues that come up: privacy, intimacies, digital data-body-interactions, affects, sensations.. .It might question in_equalities between the researcher and the researched (since I am both here) and differences between human and non-human agents.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Bag/Tas
- Thesaurus
- feminisme, fundamentalism, liberalisme, congressen, Indonesië, 2000-2009, 21e eeuw
- Description
- Tas t.g.v. Kartini Netwerk conferentie II, Dhaka Universiteit Bali van 2 tot en met 8 november 2008: The future of Asian feminism confronting fundamentalisms, conflicts and neoliberalism.
- Categories
- Object/Object > Bag/Tas
- Thesaurus
- congressen, feminisme, Nederland, Italië, vrouwentekens, 20e eeuw
- Description
- Zwarte linnen tas met aan een kant de tekst: '4th European Feminist Research Conference. Body, gender, subjectivity. Crossing borders of disciplines and institutions'. Dezelfde tekst is ook afgedrukt in de Italiaanse taal. Aan de andere kant de tekst: 'Biblioteca server donne. Centro di documentazione delle donne. Universiteit Utrecht. Bologna, città Europea della cultura'.
- Categories
- Object/Object
- Creator
- Hettinga, Lieke > kunstenaar
- Thesaurus
- feminisme, patriarchaat, gelijke behandeling, seksisme
- Description
- Description provided by the artist: .The object is a YouTube video titled 'In My Language'. The video consists of two parts. In the first part, Baggs communicates in their, what they call, 'native language', and in the second part, a computerized text-to-speech voice shares a statement on oppression and how language and communication figure in exclusionary practices. The video is often written about in online activist communities as well as scholarship on disability.. . .I think Baggs articulates a really powerful critique to normative models of the 'human' that fail to see them as a person. The video offers an insight into their world .while simultaneously challenges the (presumed neurotypical) viewer's capacity to become attuned to their world. The video is not just a statement, it's also a work of .art in its own right and beautiful to watch. It fits with the concept of Equality Otherwise because it addresses what kind of vocabulary we use to address injustice, as .well as the care we take in our capacity to attend to injustices.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- abortusstrijd, abortions, abortussen, feminisme, patriarchaat, patriarchy, acties, actions, action groups, equal treatment, gelijke behandeling, sexism, seksisme
- Description
- Description provided by artist: .Poland is currently ruled by a conservative majority who is attempting to implement a set of very restrictive laws regulating the intimate life of citizens. The most (in)famous of these is a legislative proposal to impose an almost complete ban on abortion. Polish women and men have been protesting quite vocally against this piece of legislation throughout the last few months. Despite this, the law was approved by one of the .two chambers of parliament, and has more than a fair chance to make it through the other chamber, too. Polish women are now organizing a nationwide strike on Monday, October 3rd as the most vocal form of protest staged so far.. .For obvious reasons, protests against the abortion ban have spilled over the Polish border, making the news in most other EU countries. Messages of solidarity and marches in support of Polish women have been taking place also abroad. On Wednesday, September 28th, the Group of Socialists and Democrats in the European Parliament managed to get a discussion of the current issue on the agenda for the next .plenary session.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Szutenberg, Zuzanna
- Thesaurus
- sports (eng), sporting occupations, sportberoepen, feminisme, gender, patriarchaat, patriarchy, equal treatment, gelijke behandeling, seksisme, sexism
- Description
- Description provide by artist: .The submitted items for the Gender and Cultures of Equality Museum project is a pair of pink boxing gloves. The struggle of women for equality has often been expressed - verbally as well as through metaphors - through notions of battle or fight against patriarchal oppression.. .The right to vote and to participate in public and political life,. .The access to knowledge, education and professional careers,. .The query for decent salaries and women’s economic independence,. .The control over women’s bodies, their physical integrity and legitimacy of pleasures, . .their reproductive and family life decisions,. .The availability of legal protection and medical care,. .- to name only some of the grand narratives of the Women’s Movements during the past century.. .All these movements were lengthy and painful struggles. Many women risked and many women lost their lives for the cause. Each of these milestones on the way to gender equality has its heroines, its championnesses, however the faces of the masses of anonymous women supporting their leaders remain unacknowledged. Most history books do not mention famous women, protagonists of world changing events, let alone their countless sisters.. .Still today, every day, women fight on their collective or individual gender fronts. Yet, equality is far from being achieved. Still today, every day „often nothing tangible remains of a woman’s day” (Virginia Woolf, 1929).. .Every woman has her own battle for gender equality to fight.. .Every little girl should be given a pair of pink boxing gloves.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Billboard/Billboard
- Creator
- Olaf, Erwin > fotograaf
- Thesaurus
- euthanasie, feminisme, politici, vrouwbeelden, kunsten, Nederland, 20e eeuw
- Description
- Een half jaar voor haar overlijden in 1998 besloot Annemarie Grewel mee te werken aan een grote publiciteitscampagne van de Nederlandse Vereniging voor Vrijwillige Euthanasie (NVVE). Op deze foto van Erwin Olaf ontsnapt Annemarie Grewel als Superwoman aan de dokter en de pastoor. In de tekst breekt de feministe en voormalige vice-voorzitter van de Eerste Kamer een lans voor euthanasie: ' 't Was nog een hele hijs om van mij, tonnetjerond van de medicijnen, een Superwoman te maken. Maar 't leek me wel een leuk gebaar naar de supermensen die denken te mogen beslissen over andermans dood. Ik heb mooi geleefd en had geen trek om lelijk dood te gaan. M'n goed recht toch?'. De tenhemelopneming - met euthanasieverklaring - van Superwoman had na haar dood heel Nederland onder ogen moeten komen, maar de NVVE blies de hele campagne af. Een andere bekende feministe, Hedy d'Ancona, selecteerde de foto voor de door haar ingerichte tentoonstelling 'Het Persoonlijke is Politiek' in het museum voor Volkenkunde te Leiden.
- Categories
- Object/Object
- Creator
- Hettinga, Lieke > kunstenaar
- Thesaurus
- feminisme, gender, patriarchaat, patriarchy, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism, queer, arts, kunsten
- Description
- Description provided by the artist: .The short video ‘103 shots’ by artist Heather Cassils is a project that responds to the massacre at the Pulse nightclub in Orlando. It was filmed at the San Fransisco Pride, and features couples and friends hugging and embracing as a balloon between their bodies pops. The eerie sound of popping balloons allude to the shots fired in the Pulse nightclub. 103: for every life lost and person wounded.. .In their self-created safe space, queer people - mostly people of colour - were brutally attacked. The presumption of their safe space made many people are the party mistake the sounds of the gunshots for the beat of the music. The video and the accompanying description highlight the importance of bars and nightlife to queer culture. To me, the embrace around the popping balloon is a sharp image of how facility and intimacy are always wound up with each other, particularly for queer people. Cassils’ video simultaneously commemorates loss and celebrates queer existence, and it carries on a rich aesthetic and political tradition in queer activism.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Birey, Tegiye > kunstenaar
- Thesaurus
- feminisme, gender, gelijke behandeling, acties, patriarchaat, seksisme
- Description
- Description provided by artist: .Before we started our interview, I asked my informant if I can get something for them to drink. I ordered an Americano, so did they. As we were going through my questions and their answers and my occasional interruptions, I notice them breaking the coffee-stirrers in pieces and putting them together in different compositions, their eyes also focused on this. We both were not comfortable, I knew that I was touching upon issues that have caused them great discomfort, and I didn't know if I was equipped enough to be talking about these things with someone that I just met. Also, their stories felt increasingly familiar After a while, I found myself breaking the coffee-stirrers as well, and we joked that we are repurposing an object to get over our discomfort. It felt like I unconsciously adopted a contextual coping mechanism by sharing a moment of discomfort while I was present with the story of another, a story that was too familiar.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Cengiz, Zerrin > kunstenaar
- Thesaurus
- feminisme, patriarchaat, seksisme, gender, geneeskunde, medicijnen
- Description
- Description provided by author: .To me personally, this object is the symbolic manifestation of different health care systems that I am part of in different countries at the moment, the Netherlands as a resident and Turkey as a citizen. .The lack of (medical) care, human-centered approach, knowledge and understanding in the Dutch health care system has astonished me ever since I moved to the Netherlands and every time I need to go to the doctor. However, what was even more surprising to me was to see a complete opposite manner in Turkey when I had a car accident in Istanbul. The entire procedure was so thorough that even though I had was taken to the hospital in a very uncomfortable way and I had to wear this disturbing collar for a while (so I was in a constant state of discomfort), I had a feeling of trust and comfort all the time.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Thesaurus
- feminisme, gelijke behandeling, gender
- Description
- Description provided by artist: .I wrote this text last year, after the gender analysis task carried out within Suzanne's workshop. When thinking about an object related with the idea of 'embodied discomfort', it came back to me because my starting point was the fact that I can't see well without glasses. Besides, many times in my life I have felt uncomfortable in connection with seeing, not so much because of my lack of a perfect sight, but due to the violence of the objectifying gaze. In my text, I combine this 'not being able to see well' with personal experiences traversed by gender mandates and theoretical reflections on feminist theory and the gaze. To approach equality differently, we need to think and see differently: maybe we have to look at the world through a pair of purple glasses.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object
- Creator
- Trilló Tommaso > kunstenaar
- Thesaurus
- feminisme, gender, gelijke behandeling, equal treatment, patriarchy, patriarchaat, sexism, seksisme, actiegroepen, action groups, acties, actions
- Description
- Description provided by the artist: .This graffiti appeared in Rome, Italy, following the murder of 22yo Sara Di Pietrantonio by her ex-boyfriend on May 29th, 2016. Over the past few years, Italy has consistently witnessed the murder of young women on behalf of former lovers allegedly unable to overcome a breakup. A series of inquiries and growing media attention to the issue lead the Italian parliament to pass in 2013 a law that mandates more severe penalties for those who murder their spouses, cohabiting partners, or otherwise sentimentally engaged partners. Although gender neutral in its wording, the law and the associated crime has entered common language as 'femminicidio', and is defined by the highest authority .on the italian language (Accademia della Crusca) as any form of systemic violence exerted against women in the name of a patriarchal ideological over-structure that aims at perpetuating the subordination of women and the annihilation of their identity through physical or psychological subjugation. The term 'femminicidio' is hard to convey in other languages. It literally means 'the murder of a female', but this translation does not capture the more profound meaning conveyed in the definition. Despite public attention and specific legislation to target 'femminicidio', the murder of women on behalf of former sentimental partners remains a pressing public issue in Italy to this day. The femminicidio of Sara in Rome triggered a major public uproar. A relatively large march was organized in the area surrounding the site of the murder, where the graffiti in object appeared. The protest also migrated to social media, where it eventually consolidated in the hashtag-slogan '#saranonsarà' ('roughly translating into 'what happened to sara won't happen again'). The graffiti spells 'the femminicida [a person who commits femminicidio] is not [mentally] ill: he is a healthy son of patriarchy'. The explicit message in the graffiti aims at challenging those narratives that use mental illness or abnormal sociality to downplay or even justify femminicidio.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Postcard/Briefkaart
- Thesaurus
- vrouweninformatievoorziening, feminisme, België, 2010-2019, 21e eeuw
- Description
- Eerste Hulp Bij Feminisme een antwoord op al je twijfels. Zie: www.ehbf.be
- Categories
- Object/Object > T-shirt/T-shirt
- Thesaurus
- feminisme, tweede feministische golf, 20e eeuw
- Description
- Een blauw T-shirt met in wit de tekst: 'WomaNews N.Y.C. feminist newspaper calendar of events.' Maat M (38-40) met wasvoorschift in de hals.