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- Results per page : 10
- Categories
- Print/Gedrukt beeld > Poster/Affiche
- Description
- Lezingencyclus van de Interfacultaire Werkgroep Vrouwenstudies Utrecht op de eerste donderdag van de maand met Maaike Meijer 'De Vasalis-receptie, van 1936-1984', Mieke van Schermbeek 'Charley Toorop - ik zie én ik ben', Bernadette van Dijck met een feministische benadering van films die door vrouwen in Nederland zijn gemaakt, Ina Davis over vrouwen en theater, en Ellen Overwheel en Elisabeth Bosland over vrouwelijke componisten.
- Categories
- Object/Object
- Creator
- Birey, Tegiye > kunstenaar
- Thesaurus
- theater, theatre, feminisme, patriarchy, patriarchaat, arts, kunsten, vluchtelingen, refugees, equal treatment, gelijke behandeling
- Description
- Description provided by the artist: .This paper ship comes from the interactive theatre performance 'Dreamlands' of Malmö Communityteater ????? ????? ????? that took place in Malmö on 14th of July. Malmö Communityteater ????? ????? ????? is a theatre group made up of people whose identities are made to fall in so-called categories of citizen, refugee, migrant. The ones who took the stage had used their own experiences to come up with a dreamlike script, which invited the voluntary participation of the audience. I was part of the audience. Before the .performance started (now I think about it, maybe the performance had already started with this), the audience was asked to fill out a form about dreams. Dreams we had as children, dreams we realized, dreams that went wrong, right and to other directions. During the performance, the audience was asked to fold this paper in a specific way with clear directions. We all ended up with a paper ship made out of our dreams. Contrary to the popular belief, it seemed, dreams are not left behind when people risk their lives to .save their lives. They are rearranged in the shape of a ship to prolong living, they are the motor of the ship, they are the life vest and they are the driving force of it all. The ones on the stage moved around in white dresses, slowly danced through the scenes, as the audience was given yet another opportunity to process the visual-event of the refugee taking the ship, once again, but with the new suggestion to see the dream that happened before the ship happened.. .Then there was the question and answer session. The atmosphere was heavy with silence. There were some questions eventually, but you know how memories are. Selective. I remember one person within the audience asking: 'what did the white dress that you were wearing mean?'. The ones on the stage responded by saying that it is open to interpretation, and they chose not to give a definitive answer but rather asked her opinion about the meaning of the white dress. She responded by saying that she didn't .know, but some of them looked uncomfortable wearing a dress. Silence. I wondered, and still wonder, what this question means, and what it does. Feeling the need to make a connection between non-Western (assumed) men wearing a white dress and discomfort. I wonder if it was her own frustration to see them wearing a dress, which does not fit into her accumulated knowledge of what non-Western men can do and be. I wonder if it was the discomfort of her own gaze to see non-Western men in dresses. I wonder if she .indeed felt a discomfort, and fished the dress out as the reason. I wonder even if she was sure of a discomfort caused by wearing the dress, what she thought this question would do. These questions about the question are open-ended but, practically, the question ended the show. For me, this little paper ship is a reminder of this instance. The ways in which the questions we ask about gender are shaped by preconceptions, and can easily be comments in disguise with an excess of a question mark instead of opening further opportunities to share. When asked after being offered a piece of someone's dream, they can do more damage than good, to the extent that they end the show.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Print/Gedrukt beeld > Poster/Affiche
- Thesaurus
- vrouwenstudies, wetenschap, cultuur, lichamen, mannelijkheid, vrouwelijkheid, politiek, kunsten, feminisme, steden, Nederland, 2010-2019, 21e eeuw
- Categories
- Object/Object > Handkerchief/Zakdoek
- Thesaurus
- kunstenaressen, feminisme, politiek, vrouwenbewegingen, 21e eeuw
- Description
- Roze katoenen zakdoek met borduursel en tekst van de Guerrilla Girls, een groep activistische kunstenaars met gorilla maskers op, die anoniem en op ludieke en provocerende wijze actie voeren tegen genderongelijkheid en corruptie binnen politiek, popcultuur, film en kunst. Tekst: 'Dearest art collector, it has come to our attention that your collection, like most, does not contain enough art by women. We know that you feel terrible about this and will rectify the situation immediately. All our love, Guerrilla Girls'.
- Categories
- Print/Gedrukt beeld > Poster/Affiche
- Thesaurus
- vrouwenstudies, kunsten, seksualiteit, feminisme, Nederland, 21e eeuw
- Description
- Aankondiging van de Minor genderstudies letteren 2006-2007 van de Institute for Genderstudies. Met colleges over: 'Extreme makeover : hoe maakbaar is de mens (m/v)?'. 'Mannelijkheid en vrouwelijkheid in cultuur en politiek'. 'Gebiologeerd : het wetenschapsspektakel in de 18e en 19e eeuw'. 'Gender & de kunsten'. 'Gender, sexuality & the city' en 'Feminist classics'.
- Categories
- Print/Gedrukt beeld > Poster/Affiche
- Thesaurus
- vrouwenstudies, lichamen, mannelijkheid, vrouwelijkheid, cultuur, politiek, taboes, incest, kunsten, feminisme, Nederland, 21e eeuw
- Description
- Aankondiging van de minor Genderstudies Letteren met de volgende onderwerpen: .- Extreme Makeover. Cultuur, lichaam en het ideale zelf (v/m) .- Gendergeschiedenis: mannelijkheid en vrouwelijkheid in cultuur en politiek .- Totem en taboe: incest en de grenzen van beschaving .- Gender & de Kunsten .- City Culture .- Feminist Classics
- Categories
- Print/Gedrukt beeld > Poster/Affiche
- Creator
- Bonajo, Melanie > fotograaf
- Creator
- Boland, Alfred > ontwerper
- Creator
- Schenk, Erlend > ontwerper
- Description
- Van poster plakkende actiegroepen tot en met virtuele feministische cyberart staat centraal in deze tentoonstelling in het museum voor Moderne Kunst in Arnhem met werk van honderd nationale en internationale kunstenaressen voor wie het feminisme een belangrijke inspiratiebron is of is geweest.
- Categories
- Object/Object
- Creator
- Verderi, Sara > kunstenaar
- Thesaurus
- refugees, vluchtelingen, feminisme, patriarchaat, patriarchy, gender, acties, actions, kunsten, arts, equal treatment, gelijke behandeling, seksisme, sexism, armoede, poverty
- Description
- Description provided by artist: .Painting by the Syrian caartonist Hossam al-Saadi on the occasion of the military siege of the city of Madayya, 50 Km north-west of Damascus. The siege has been causing severe malnutrition of the city inhabitants and is considered a war crime. Al-Saadi - who recently obtained a refugee status and currently resides in Brussels - has been using his art to convey different moments of Syrians struggle for life and freedom. The image I have chosen to submit depicts one of the recurrent themes of his work - a critique to .the discourse of equality and human rights as it is deployed by the international ommunity. compliance. The cartoonist mocks up his message in the form of the UN flag.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
- Categories
- Object/Object > Billboard/Billboard
- Creator
- Olaf, Erwin > fotograaf
- Thesaurus
- euthanasie, feminisme, politici, vrouwbeelden, kunsten, Nederland, 20e eeuw
- Description
- Een half jaar voor haar overlijden in 1998 besloot Annemarie Grewel mee te werken aan een grote publiciteitscampagne van de Nederlandse Vereniging voor Vrijwillige Euthanasie (NVVE). Op deze foto van Erwin Olaf ontsnapt Annemarie Grewel als Superwoman aan de dokter en de pastoor. In de tekst breekt de feministe en voormalige vice-voorzitter van de Eerste Kamer een lans voor euthanasie: ' 't Was nog een hele hijs om van mij, tonnetjerond van de medicijnen, een Superwoman te maken. Maar 't leek me wel een leuk gebaar naar de supermensen die denken te mogen beslissen over andermans dood. Ik heb mooi geleefd en had geen trek om lelijk dood te gaan. M'n goed recht toch?'. De tenhemelopneming - met euthanasieverklaring - van Superwoman had na haar dood heel Nederland onder ogen moeten komen, maar de NVVE blies de hele campagne af. Een andere bekende feministe, Hedy d'Ancona, selecteerde de foto voor de door haar ingerichte tentoonstelling 'Het Persoonlijke is Politiek' in het museum voor Volkenkunde te Leiden.
- Categories
- Object/Object
- Creator
- Hettinga, Lieke > kunstenaar
- Thesaurus
- feminisme, gender, patriarchaat, patriarchy, acties, actions, equal treatment, gelijke behandeling, seksisme, sexism, queer, arts, kunsten
- Description
- Description provided by the artist: .The short video ‘103 shots’ by artist Heather Cassils is a project that responds to the massacre at the Pulse nightclub in Orlando. It was filmed at the San Fransisco Pride, and features couples and friends hugging and embracing as a balloon between their bodies pops. The eerie sound of popping balloons allude to the shots fired in the Pulse nightclub. 103: for every life lost and person wounded.. .In their self-created safe space, queer people - mostly people of colour - were brutally attacked. The presumption of their safe space made many people are the party mistake the sounds of the gunshots for the beat of the music. The video and the accompanying description highlight the importance of bars and nightlife to queer culture. To me, the embrace around the popping balloon is a sharp image of how facility and intimacy are always wound up with each other, particularly for queer people. Cassils’ video simultaneously commemorates loss and celebrates queer existence, and it carries on a rich aesthetic and political tradition in queer activism.. .This artwork is part of the project Footnotes on Equality: http://footnotesonequality.eu/all/
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