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- Results per page : 50
- Categories
- Book/Boek
- Creator
- Callaghan, Dympna > (ed.)
- Publish Year
- 2016
- Shelfmark
- GR BR 54 2016 - B
- Thesaurus
- toneel, vrouwbeelden, sekserollen, feminisme, Verenigd Koninkrijk, 16e eeuw, 17e eeuw, bundel
- Description
- The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by all-women team of contributors to this companion. It explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism. Contributions: Introduction / Dympna Callaghan: Part I: The history of feminist Shakespeare criticism: 1. The ladies’ Shakespeare / Juliet Fleming: 2. Margaret Cavendish, Shakespeare critic / Katherine M. Romack: 3. Misogyny is everywhere / Phyllis Rackin: Part II Text and Language: 4. Feminist editing and the body of the text / Laurie E. Maguire: 5. “Made to write ‘whore’ upon?”: male and female use of the word “whore” in Shakespeare’s canon / Kay Stanton: 6. “A word, sweet Lucrece”: confession, feminism, and the rape of Lucrece / Margo Hendricks: Part III Social Economies: 7. Gender, class, and the ideology of comic form: much ado about nothing and Twelfth Night / Mihoko Suzuki: 8. Gendered “gifts” in Shakespeare’s Belmont: the economies of exchange in Early Modern England / Jyotsna G. Singh: Part IV Race and Colonialism: 9. The great Indian vanishing trick – colonialism, property, and the family in a Midsummer Night’s Dream / Ania Loomba: 10. Black Ram, white Ewe: Shakespeare, race, and women / Joyce Green MacDonald: 11. Sycorax in Algiers: cultural politics and gynecology in Early Modern England / Rachana Sachdev: 12. Black and White, and Dread All Over: The Shakespeare Theatre’s “Photonegative” Othello and the Body of Desdemona / Denise Albanese: Part V Performing Sexuality: 13. Women and boys playing Shakespeare / Juliet Dusinberre: 14. Mutant scenes and “minor” conflicts in Richard II / Molly Smith: 15. Lovesickness, gender, and subjectivity: Twelfth Night and As You Like It / Carol Thomas Neely: 16. … in the Lesbian Void: Woman–Woman Eroticism in Shakespeare’s Plays / Theodora A. Jankowski: 17. Duncan’s Corpse / Susan Zimmerman: Part VI Religion: 18. Others and Lovers in The Merchant of Venice / M. Lindsay Kaplan: 19. Between Idolatry and Astrology: Modes of Temporal Repetition in Romeo and Juliet / Philippa Berry: Part VII Character, Genre, History: 20. Putting on the Destined Livery: Isabella, Cressida, and our Virgin/Whore Obsession / Anna Kamaralli: 21. The Virginity Dialogue in All’s Well That Ends Well: Feminism, Editing, and Adaptation / Rory Loughnane: 22. Competitive Mourning and Female Agency in Richard III / Mario DiGangi: 23. Bearing Death in The Winter’s Tale / Amy K. Burnette: 24. Monarchs Who Cry: The Gendered Politics of Weeping in the English History Play / Jean E. Howard: 25. Shakespeare’s Women and the Crisis of Beauty / Farah Karim-Cooper: Part VIII Appropriating Women, Appropriating Shakespeare: 26. Women and Land: Henry VIII / Lisa Hopkins: 27. Desdemona: Toni Morrison’s Response to Othello / Ayanna Thompson: 28. Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics / Sujata Iyengar: 29. A Thousand Voices: Performing Ariel / Amanda Eubanks Winkler.
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