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gender and modernity in Weimar culture
- Categories
- Book/Boek
- Creator
- Ankum, Katharina von > (ed.)
- Contributor
- Lewis, Beth Irwin
- Publish Year
- 1997
- Shelfmark
- DUI 1G 1997 - B
- Thesaurus
- culturele stromingen, populaire cultuur, steden, vrouwbeelden, romans, films, theater, kijkgedrag, vrouwelijkheid, mode, Duitsland, interbellum, bundel
- Description
- De bijdragen in deze bundel belichten vrouwen in de publieke sfeer, als toeschouwers in de bioscoop, winkelend op straat, of werkend op een kantoor of op het toneel. De zichtbaarheid van vrouwen en hun visuele representatie in de publieke sfeer zijn het centrale thema. De volgende bijdragen zijn opgenomen: Gretchen, girl, garçonne? : Weimar science and popular culture in search of the ideal new woman / door Lynne Frame: Perceptions of difference: woman as spectator and spectacle / door Patrice Petro: Female flanerie and the 'Symphony of the city' / door Anke Gleber: The conspiracy of women: images of city life in the work of Jeanne Mammen / door Annelie Lütgens: The misogynist machine: images of technology in the work of Hannah Höch / door Maria Makela: 'Metropolis' and the technosexual woman of German modernity / door Janet Lungstrum: Femininity, the primitive, and modern urban space: Josephine Baker in Berlin: Gendered urban spaces in Irmgrard Keun's 'Das Kunstseidene Mädchen' / door Katharina von Ankum: In the mirror of fashion / door Sabine Hake: 'Lustmord': inside the windows of the metropolis / door Beth Irwin Lewis.
representations in photography and film from the 1870s through the 1960s
- Categories
- Book/Boek
- Creator
- Otto, Elizabeth > (ed.)
- Creator
- Rocco, Vanessa > (ed.)
- Contributor
- Harris, Kristine
- Publish Year
- 2011
- Shelfmark
- WER 54 2011 - B
- Thesaurus
- fotografie, films, vrouwelijkheid, vrouwbeelden, seksualiteit, media, mode, populaire cultuur, vrouwenbewegingen, interbellum, pioniers, eerste feministische golf, tweede feministische golf, 19e eeuw, 20e eeuw, bundel
- Description
- Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky---all embodiments of the dashing New Woman---symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Tthese essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world.
consumption, modernity, and globalization
- Categories
- Book/Boek
- Creator
- Weinbaum, Alys Eve > (ed.)
- Creator
- Thomas, Lynn M. > (ed.)
- Creator
- Ramamurthy, Priti > (ed.)
- Creator
- [et al.]
- Contributor
- Burke, Timothy
- Publish Year
- 2008
- Shelfmark
- WER 1E 2008
- Thesaurus
- vrouwbeelden, meisjes, vrouwelijkheid, reclames, advertenties, populaire cultuur, consumenten, etniciteit, sociale klasse, nationalisme, kolonialisme, interbellum, wereld, 1920-1929, 1930-1939, 20e eeuw, bundel
- Description
- Analysis of the manifestations of the 'modern girl', who emerged as a global phenomenon in the 1920s and 1930s. The authors describe how the economic structures and cultural flows that shaped a particular form of femininity crossed national and imperial boundaries, the gendered dynamics of racial formation, and how images and ideas of the 'modern girl' were used to critique nationalist and imperial agendas.
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