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gender and modernity in Weimar culture
- Categories
- Book/Boek
- Creator
- Ankum, Katharina von > (ed.)
- Contributor
- Lewis, Beth Irwin
- Publish Year
- 1997
- Shelfmark
- DUI 1G 1997 - B
- Thesaurus
- culturele stromingen, populaire cultuur, steden, vrouwbeelden, romans, films, theater, kijkgedrag, vrouwelijkheid, mode, Duitsland, interbellum, bundel
- Description
- De bijdragen in deze bundel belichten vrouwen in de publieke sfeer, als toeschouwers in de bioscoop, winkelend op straat, of werkend op een kantoor of op het toneel. De zichtbaarheid van vrouwen en hun visuele representatie in de publieke sfeer zijn het centrale thema. De volgende bijdragen zijn opgenomen: Gretchen, girl, garçonne? : Weimar science and popular culture in search of the ideal new woman / door Lynne Frame: Perceptions of difference: woman as spectator and spectacle / door Patrice Petro: Female flanerie and the 'Symphony of the city' / door Anke Gleber: The conspiracy of women: images of city life in the work of Jeanne Mammen / door Annelie Lütgens: The misogynist machine: images of technology in the work of Hannah Höch / door Maria Makela: 'Metropolis' and the technosexual woman of German modernity / door Janet Lungstrum: Femininity, the primitive, and modern urban space: Josephine Baker in Berlin: Gendered urban spaces in Irmgrard Keun's 'Das Kunstseidene Mädchen' / door Katharina von Ankum: In the mirror of fashion / door Sabine Hake: 'Lustmord': inside the windows of the metropolis / door Beth Irwin Lewis.
representations in photography and film from the 1870s through the 1960s
- Categories
- Book/Boek
- Creator
- Otto, Elizabeth > (ed.)
- Creator
- Rocco, Vanessa > (ed.)
- Contributor
- Harris, Kristine
- Publish Year
- 2011
- Shelfmark
- WER 54 2011 - B
- Thesaurus
- fotografie, films, vrouwelijkheid, vrouwbeelden, seksualiteit, media, mode, populaire cultuur, vrouwenbewegingen, interbellum, pioniers, eerste feministische golf, tweede feministische golf, 19e eeuw, 20e eeuw, bundel
- Description
- Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky---all embodiments of the dashing New Woman---symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Tthese essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world.
disciplining labor in modern Japan
- Categories
- Book/Boek
- Creator
- Faison, Elyssa
- Publish Year
- 2007
- Shelfmark
- O AZ 52 2007
- Thesaurus
- betaalde arbeid, textielindustrie, interbellum, vrouwelijkheid, mode, Japan, 20e eeuw
- Description
- At the turn of the twentieth century, Japan embarked on a mission to modernize its society and industry. For the first time, young Japanese women were persuaded to leave their families and enter the factory. Managing Women focuses on Japan's interwar textile industry, examining how factory managers, social reformers, and the state created visions of a specifically Japanese femininity. Faison finds that female factory workers were constructed as 'women' rather than as 'workers' and that this womanly ideal was used to develop labor-management practices, inculcate moral and civic values, and develop a strategy for containing union activities and strikes. In an integrated analysis of gender ideology and ideologies of nationalism and ethnicity, Faison shows how this discourse on women's wage work both produced and reflected anxieties about women's social roles in modern Japan. .
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