This book takes on fundamental questions at the intersections of gender, sexuality, and the body. Several questions frame the volume: How does studying gender and sexuality expand and enrich our understanding of Muslim-majority countries, historically and at present? How does the embodiment of ’Muslim’ identity get reconfigured in the context of twenty-first-century globalism? What analytical questions are raised about ’Islam’ when its diverse meanings and multifaceted expressions are closely examined? What roles do gender and sexuality play in the construction of cultural, religious, nationalistic, communal, and militaristic identities? How have power struggles been signified in and on the bodies of women and sexuality?
By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema and by focusing on the largely neglected intersections between postfeminism and queer theory this volume presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where female empowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema.
Historians of gender in Germany have tended to treat East and West Germany in isolation, with little attention paid to intersections and interrelationships between the two countries. This collection synthesizes the perspectives of entangled history and gender studies, and investigates the ways in which East and West German gender relations were culturally, socially, and politically intertwined. Chapters on historiography, politics, policies, social movements, sexuality and media.