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two is not enough for gender (e)quality : the conference collection
- Categories
- Book/Boek
- Creator
- Hodzic, Amir > (ed.)
- Creator
- Postic, Jelena > (ed.)
- Creator
- Binder, Birgit Dorle
- Creator
- Moon, Jet
- Creator
- Woodland, Alex
- Creator
- [et al.]
- Contributor
- Brumen, Sandra
- Publish Year
- 2005
- Shelfmark
- WER 72 2005
- Thesaurus
- vrouwenstudies, feminisme, gender, queer theory, transgenders, seksualiteit, sadomasochisme, seksueel geweld, slachtoffers, heteroseksisme, plastische chirurgie, mannelijkheid, vrouwelijkheid, biologie, cyborgs, patriarchaat, mensenrechten, taal, sociolinguïstiek, vrouwbeelden, interseksualiteit, media, literatuur, wereld, congressen, bundel
- Description
- This collection contains most of the papers and workshops presented at the conference, as well as an outline of the Gender (B)ender art and culture program, and focuses on the interconnectedness of feminism, gender theories and transgenderism.
sexual difference in a post-feminist era
- Categories
- Book/Boek
- Creator
- Mortensen, Ellen > (ed.)
- Contributor
- Heinämaa, Sara
- Publish Year
- 2006
- Shelfmark
- WER 3 2006
- Thesaurus
- gender, theorieën, man vrouw verschillen, homostudies, vrouwbeelden, biologie, technologie, media, bundel
- Description
- This collection of essays provides a reassessment of the question of sexual difference, taking into account important shifts in feminist thought, post-humanist theories, and queer studies. The contributors offer insights into the question of sexual difference from a post-feminist perspective and explore how it is reormulated in various related areas of study, such as ontology, epistemology, metaphysics, biology, technology, and mass media.
Jacques de Gheyn II
- Categories
- Book/Boek
- Creator
- Swan, Claudia
- Publish Year
- 2005
- Shelfmark
- NED 54 2005
- Thesaurus
- tekenkunst, hekserij, vrouwbeelden, biologie, Nederland, 17e eeuw
- Description
- Jacques de Gheyn II was an acclaimed painter, draftsman, and printmaker in the Dutch Golden Age. In this illustrated book the author gives an account of the rise of scientific naturalism in Dutch art and explores De Gheyn's work, his naturalistic work as well as his fantastic imagery, especially his representations of witches. The book sets into context early modern ideas about the reciprocity between visual representation and descriptive science.
- Categories
- Book/Boek
- Creator
- Demoor, Marysa > (red.)
- Creator
- Vandenbussche, Liselotte > (red.)
- Creator
- Vandermassen, Griet > (red.)
- Contributor
- Lievens, Sigried
- Publish Year
- 2007
- Shelfmark
- BEL 22 2006
- Thesaurus
- man vrouw verschillen, romans, vrouwbeelden, ouderen, gender, sekse, biologie, sportdeelname, sporten, prijzen, historisch, België, 20e eeuw, jaarboek
- Description
- Neerslag van lezingen gehouden in het voorjaar van 2005 over: mannen en vrouwen in interactie: 'De vermaledijde vaders' van Monika van Paemel als het ontwikkelingsverhaal van een oudere vrouw: gender en biologische oorzaken van genderdiversiteit: gender en sport in historisch perspectief: genderverhoudingen binnen Vlaamse literaire prijzen.
science, gender, and visual culture
- Categories
- Book/Boek
- Creator
- Shteir, Ann B. > (ed.)
- Creator
- Lightman, Bernard > (ed.)
- Contributor
- Marchessault, Janine
- Publish Year
- 2006
- Shelfmark
- WER 54 2006
- Thesaurus
- bètawetenschappen, biologie, gender, iconografie, lichamen, man vrouw verschillen, vrouwbeelden
- Description
- A collection of fifteen original essays analyzing gender in the imagery of science.The book focuses on visual and figural images as a way to study the workings of gender in science, and on gender as a way to examine how images in science contain and convey meaning. Roughly chronological in organization, part one focuses on mythological and metaphorical depictions of gender in early frontispieces, while part two looks at realistic images such as photos, illustrations, and exhibits from the nineteenth century. Part three highlights the workings of cultural norms of gender in twentieth-century science, illustrated through discussions of photos, television shows, advertising, and digital imagery. A common theme in the book is an emphasis on questions of representation and interpretive problems such as agency and identity. The volume explores a host of themes, including the gendered cultures of science and medicine, technologies of display, and the role of sexualities and sexual difference in the construction of figural vocabularies of science.
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